A Quote by Rakul Preet Singh
I am blessed to have worked in big-budget films at an early stage of my career.
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Alternate between short films, long form films, with or without stars, small budget or big budget films. Basically a filmmaker needs to be flexible.
I am ably balancing big and small films. With every big film I do, I try to take up films that are high on content and small on budget.
People talk about the difference between working on stage and working on film. I think you could say that there are as many differences between working on low budget films and working on big budget films. You really are doing the same thing, but at the same time you're doing something vastly different as well.
This is a wrong notion that I work in big budget films. Infact, usually low budget films are offered to me, they come and say it's a good story but they don't have the money.
The great thing about horror films is that they work on a low budget. The genre is the star. You don't need big movie stars, and I actually think a lot of times that the best horror films are the low budget contained ones.
I worked initially in very low-budget independent films that I often wrote. My early work was all written by myself, and then I adapted 'Tsotsi,' so I was used to the writing process being, in a way, integral to my directing. I felt it really prepared me.
I love Sam Raimi. 'Evil Dead 2' is one of my favorite films. It's one of the best cheaper horror films I've ever seen. Horror films and suspense films can be made on a low budget without big stars and be very effective.
Small films, made on shoe-string budget work in big centres, and for that a substantial amount of budget should be set aside for marketing.
I'm really, really blessed. Not only am I blessed to have found that I love making films, but I'm also insanely blessed to be able to do it. I have to remind myself that when I'm complaining.
The reach of big-budget films is bigger, but I have always loved doing films that I believe in.
I don't love big films for the sake of big films. It's not been a career drive to get to that point.
There's always an intellectual side to the films Ang Lee's doing and to the characters, and there's such a deep knowledge when you've worked with the actors that he's worked with, on stage in particular, but also in film.
Some of the corporate houses are using films as a means to market their brands. They are not concerned with the storyline. When it comes to big-budget films, simple storylines told with conviction are still the safest best.
I think early in my career, I didn't choose films that were crappy films, necessarily, but I didn't go out and campaign for smaller, better roles.
Acting opposite big heroes has worked well for my career. Hence, I have decided to do films that have top-notch actors as people take notice of my acting talent too.
In my early career as a documentarian, I suppose I was trying to make films which - where it was all about making a big cinematic statement, and I think with 'Marley,' I slightly changed my direction and adopted a more mellow approach.
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