A Quote by Rakul Preet Singh

Before I came to Bollywood, lot of people told me that here things are not very professional, but I've had no such experience. — © Rakul Preet Singh
Before I came to Bollywood, lot of people told me that here things are not very professional, but I've had no such experience.
Growing up in the 80's, I think a lot of us saw things that were "new," an experience we don't get too much of these days. We saw things that were never done before. When Star Wars first came out, no movie before that had ever looked that way.
My career came together very quickly. I only trained for four years before I became a professional, so I didn't have a lot of time to sit back and be inspired before I took my first ballet class.
Patience is a part of boxing. After I had missed out on the Olympic gold medal in 1984, a lot of people tried to talk me into turning professional quickly to make money. They told me that the next Olympics in Seoul would be boycotted again, that I was wasting my life, blah blah. But I still had unfinished business. I wanted the gold medal, and I got it in ?88. Only then was I ready to turn professional.
I told the people before they tortured me, please, don't torture me. I didn't do anything. They say, we have to torture you very much. Then when they tortured me, I told them everything they want to hear. I signed confession. That said, the ball was in their court. You know, I very much surrender to my lot.
I was told I could play at the top long before I realised I could. A few people told me that. I've always had a 'name,' and I don't know how I got it, but I was blessed with people in the right situations saying good things about me.
My first agent told me to change my name or I'd only play Jewish parts or Indians. Of course I refused to change it. Shortly thereafter she came up to me and told me I had to keep it, because her numerologist said it was very, very good.
The idea of being a 'child star' always sounded awful to people my age, and so I was just very aware that these things are kind of fleeting and that a lot of it didn't have to do with me: it had to do with my age; it had to do with whatever came to mind when people thought of a young internet sensation.
American envoys came to see me before the crisis in Iraq and asked me to say that there were nuclear weapons in Iraq. I refused. They even told me that things would go well for Belarus in terms of investments, etc. All I had to do was to support them. I told them that I couldn't do it because I knew that there were no nuclear weapons there.
I had my fortune told once at the Great Wall of China. A withered old lady told my fortune - but it was probably one of these things that are set up to rip off tourists. She told me a couple of vague things that came true, but she was probably just lucky. I would never do it again.
I was told 'You should just do commercials and Bollywood' and Bollywood would be said to me like it's a bad thing.
My mum had a very strong moral code, which I kind of came with. I never really had to be told what was right or wrong - I knew. I was very mature from early on and I was a very good girl, so she never had any trouble with me.
The third season of the Leftovers came along and Damon Lindelof sent me the script to Episode 3, and I called him up and thanked him for one of the greatest gifts I've been given. I had that script for almost two months, in the mountains in Idaho, before I even got on a plane and flew to Australia and went to the outback. He also told me to learn about the indigenous people in Australia and learn how to play a didgeridoo. It was just great. It was probably, in many ways, the best acting experience I've ever had.
Before acting took off, I was a professional kiteboarder training for the world circuit; with a sporting activity, you have to be determined, and it taught me to have a thick skin, which came in use after going to so many auditions and being told 'no.'
I could have started playing professional at 16, 17 quite easily. For my position, I was far better than a lot of people around me. All the people in front of me had was experience but, talent-wise, I easily could get in.
I got my big break in Bollywood with Anurag Kashyap's 'Raman Raghav 2.0' when I got a call from one of the casting directors to appear for an audition. At that point, I didn't think that I would make the cut since I was auditioning for a Bollywood film for the very first time. Within an hour of the audition, I was told that I had been selected.
Before I came here, I had people telling me what a tough place New York is, how other players came here and struggled. But I never let that bother me. I came here because I want to win.
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