A Quote by Rakul Preet Singh

Charan is very hard-working and non-egoistic, given the family he comes from. He is very open to listening, and he surrenders himself completely to the director. It was lovely to work with an actor like that.
My mum and dad ran a family cafe in Sligo for 35 years and worked long hours. We grew up in a very hard-working family and had a lovely atmosphere, as we lived above the restaurant. It definitely made me want to work hard, whatever I chose to do. As the baby of seven kids, I was definitely a bit spoilt.
I'm very old-school. I like a director to direct me. I like to be the actor. I'm not particularly fond of the hybrid writer-director, or actor-director. Writers, directors, actors are all such very different people. I think it's unusual that two of those people are in one human.
Charan is very mature, and I see myself in him. He also gives equal importance to family, and as an actor, too, he does his job well.
As a working actor, all I want to do is work. That's it. It's terrifying when you don't work. It's very hard when you don't work. There have been times when I've been out of work for like six months. I feel theatre to me is like manna.
There's a difference between someone who's 'harsh' and someone who is 'hard.' Life was hard. You lived in the South, as my grandparents did, and you had to survive. That is hard. In order to respond to that, he had to become a hard man, with very hard rules, very hard discipline for himself, very hard days, hard work, et cetera.
I have a final word of advice to our students. If you work very, very hard, this is the kind of actor, writer and director you may turn out to be, and if you work extra hard, this is the kind of person you may turn out to be.
More than a non-acting director, I think I notice when an actor is not believing in themselves. Chicago actors in particular, they work very hard and are very talented, but sometimes they don't trust how talented they are. I notice when they keep something in reserve.
I work very hard on motivating everything I do as an actor. Explosive moments have to be completely motivated; whether they're explosive comedy or explosive horror, they have to come organically out of a scene and an interaction with another actor.
I was brought up by the English side of my family, who are very repressed and working class. Absolutely lovely, but very English.
My story about becoming an actor is a completely non-romantic one. I became an actor because my parents were actors, and it seemed like a very... I knew I was going to act all my life, but I didn't know that I was going to be a professional actor. I thought I was just going to work as an actor every now and then.
My mother and father were lovely parents, always quite hard up, but very hard-working.
To be an actor is to be ambiguous in every form, which is a very hard way to live. You represent desire: the desire of the director and the desire of the audience, even if it's a subconscious desire. If a director is to work with you for two months, he must be in love with you in some way or another.
I think an actor is very like a sportsman. You have periods where you're in terrific form. Everything you touch seems to work, and come right. And other times, when you're working really hard, it's okay, but it isn't scintillating.
I had a lovely experience once in Africa working with the U.N. when a president of a country met me about refugee issues and said ‘What do you do?’ I said ‘I‘m an actor.’ He replied ‘I heard that was a very difficult job and might not be the smartest job to do.’ It was lovely.
I think I know I've been working very hard for the family business, sometimes those days are long days and I think if I know I'm working hard and pulling my weight, both working and playing hard at the same time, I think everyone who I work with can see I am there pulling my weight.
Director of any film is very important, and an actor has to leave himself in his hands to mould.
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