A Quote by Ralph Adams Cram

With the opening of the second decade of the twentieth century it seemed that the stage was set for the last act in an unquestioned evolutionary drama. — © Ralph Adams Cram
With the opening of the second decade of the twentieth century it seemed that the stage was set for the last act in an unquestioned evolutionary drama.
The hold of the evolutionary paradigm is so powerful that an idea which is more like a principle of medieval astrology than a serious twentieth century scientific theory has become a reality for evolutionary biologists.
The humanities and science are not in inherent conflict but have become separated in the twentieth century. Now their essential unity must be re-emphasized, so that twentieth-century multiplicity may become twentieth-century unity.
Opening for Mr. Sinatra in 1991 enabled me to do Vegas more as an opening act. I did the Superdome with him, probably nine arenas over a year and a half, and his second-to-last appearance at the Desert Inn in Vegas.
The weird thing for me is I'm sitting there in the '80s writing about the Mutant Control Act and here we are in the second decade of the 21st century with the Patriot Act, listening to presidential candidates talk about building walls to keep people out: who's acceptable and who isn't. It's very creepy.
The thriller is the cardinal twentieth-century form. All it, like the twentieth century, wants to know is: Who's Guilty?
The popular definition of tragedy is heavy drama in which everyone is killed in the last act, comedy being light drama in which everyone is married in the last act.
The nineteenth century planted the words which the twentieth century ripened into the atrocities of Stalin and Hitler. There is hardly an atrocity committed in the twentieth century that was not foreshadowed or even advocated by some noble man of words in the nineteenth.
The second half of the twentieth century is a complete flop.
Film is more than the twentieth-century art. It's another part of the twentieth-century mind. It's the world seen from inside. We've come to a certain point in the history of film. If a thing can be filmed, the film is implied in the thing itself. This is where we are. The twentieth century is on film. You have to ask yourself if there's anything about us more important than the fact that we're constantly on film, constantly watching ourselves.
National parks, zoos, protected areas, polluted seas - using the whole world as a readymade, I thought about it as a stage set. To activate a stage set you need a drama, an actor to offset it.
The twentieth century had produced a literature in Ireland that kept a tense distance from the sources of faith - and for good reason. Irish writing had suffered a terrible censorship in the twentieth century.
For three years, between 16 and 19, I was the opening-act-for-the-opening-act-for-the-opening-act, you know? And then I was on tour with Ice-T, Stetsasonic, EPMD, Sir Mix-a-Lot - legends - and went on to sell 160 million records. It still baffles me.
For three years between 16 and 19 I was the opening-act-for-the-opening-act-for-the-opening-act, you know? And then I was on tour with Ice-T, Stetsasonic, EPMD, Sir Mix-a-Lot--legends--and went on to sell 160 million records. It still baffles me.
It has become part of the accepted wisdom to say that the twentieth century was the century of physics and the twenty-first century will be the century of biology.
It may sound surprising when I say, on the basis of my own clinical practice as well as that of my psychological and psychiatric colleagues, that the chief problem of people in the middle decade of the twentieth century is emptiness.
Considering that we live in an era of evolutionary everything---evolutionary biology, evolutionary medicine, evolutionary ecology, evolutionary psychology, evolutionary economics, evolutionary computing---it was surprising how rarely people thought in evolutionary terms. It was a human blind spot. We look at the world around us as a snapshot when it was really a movie, constantly changing.
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