A Quote by Ralph Allen

The magic of creation has always fascinated me. — © Ralph Allen
The magic of creation has always fascinated me.
Art is magic... But how is it magic? In its metaphysical development? Or does some final transformation culminate in a magic reality? In truth, the latter is impossible without the former. If creation is not magic, the outcome cannot be magic.
There are 3 kinds of magic in our world. The peddling little magician magic like Uncle Andrew in 'The Magicians Newphew' where people mess around with things they don't understand. It's movie magic. Then there is the magic of the evil side of things. The demonic forces. And that's not really magic... it's corruption of what really exists. And then finally there is the magic of the Holy Spirit of God which is the creation and maintenence of the universe. We don't understand it... and we haven't the faintest idea how He does it. But it's real. That's the deep magic.
I definitely went through my magic phase. I think all little boys do at some point or another - they get fascinated by magic tricks.
The inter-relationships between people have always fascinated me, as a director. And particularly those who are battlers in life, those who are on the fringes of life, they've always fascinated me, and I've always loved working on those characters.
People that could yodel always fascinated me. People that could sing loud always fascinated me. So I started trying to mimic at a really young age: 6, 7 years old.
I was always fascinated by the fact that you could take paper and ink and create worlds, images, characters. It seemed like magic.
I have always loved magic realism as a form of writing. I have also been fascinated for a long time with the intersection of science and religion.
I was fascinated by the effects that could be achieved by editing. The cutting room became a magic workshop for me.
I've always been fascinated with marine geography and how deep things are. I was spellbound by the tsunami, for example, by the actual maps. There is just something about the unseen bottom of the sea that has always fascinated me, how deep is it.
The magic of living life for me is, and always has been, the magic of living on the land, not in the magic of money.
Do you hate me because I have magic?" "Of course not." "Do you love me despite my magic?" He thought a minute. "No. I love everything about you, and your magic is part of you. That was how I got past the Confessor's magic. If I had loved you despite your power, I wouldn't have been accepting you for who you are. Your magic would have destroyed me.
There is always magic to be summoned at any point. I love to live in a world of magic, but not a fake world of magic. We all really basically have a lot of magic... It’s only those of us who choose to accept it, that really understand it. It’s there for everyone. That’s the only thing that I feel I am able to give to people and that’s why I know that they respond to me because I try to give them only their own magic... not mine, but theirs
When we read about Creation in Genesis, we run the risk of imagining God was a magician, with a magic wand able to do everything. But that is not so. God is not a demiurge [demigod] or a magician, but the Creator who gives being to all entities. Evolution in nature is not opposed to the notion of Creation, because evolution presupposes the creation of beings that evolve.
I think that storytelling and creation are very close to what the center of what magic is about. I think not just for me, but for most of the cultures that have had a concept of magic, then the manipulation of language, and words, and thus of stories and fictions, has been very close to the center of it all.
One of the things that always fascinated me about the Renaissance was that it was a time both of great scientific discovery and also of superstition and belief in magic. And so it was a period in which Galileo invented the telescope, but also a time when hundreds were burned at the stake because people thought they were witches.
For instance, I'm always fascinated to see whether, given the kind of fairly known and established form called popular music, whether there is some magic combination that nobody has hit upon before.
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