A Quote by Ralph Ellison

God is love, I said, but art's the possibility of forms, and shadows are the source of identity. — © Ralph Ellison
God is love, I said, but art's the possibility of forms, and shadows are the source of identity.
Our identity was bestowed upon us by God and when humanity rebelled against God, we were divorced from the source of our identity. In this vacuum, work can wrongfully become the source of our identity wreaking havoc on our lives and work. Work was never meant to carry the weight of our identity.
What the art historians had forgotten is that in Chinese, Japanese, Persian, and Indian art, they never painted shadows. Why did they paint shadows in European art? Shadows are because of optics. Optics need shadows and strong light. Strong light makes the deepest shadows. It took me a few years to realize fully that the art historians didn't grasp that. There are a lot of interesting new things, ideas, pictures.
Art neither belongs to religion, nor to ethics; but, like these, it brings us nearer to the Infinite, one of the forms of which it manifests to us. God is the source of all beauty, as of all truth, of all religion, of all morality. The most exalted object, therefore, of art is to reveal in its own manner the sentiment of the Infinite.
God created the possibility of evil; people actualized that potentiality. The source of evil is not God's power but mankind's freedom. Even an all-powerful God could not have created a world in which people had genuine freedom and yet there was no potentiality for sin, because our freedom includes the possibility of sin within its own meaning.
Life is nothing but the expansion of love. We can cultivate divine love by entering into the Source. The Source is God, who is all Love.
I believe that God is very real. I believe that I live my life every day inside the reality of this God. I call this God by different words. I describe God as the source of life and the source of love and the ground of being.
Shadows sometimes people don't see shadows. The Chinese of course never paint them in pictures, oriental art never deals with shadow. But I noticed these shadows and I knew it meant it was sunny.
If war illuminates love, love offers the possibility of allowing some light to be brought back out of the shadows. It's almost as if they buttress and make possible an understanding of each other.
Royalty is my identity. Servanthood is my assignment. Intimacy with God is my life source.
An optimist is a person who sees only the lights in the picture, whereas a pessimist sees only the shadows. An idealist, however, is one who sees the light and the shadows, but in addition sees something else: the possibility of changing the picture, of making the lights prevail over the shadows.
We cannot underestimate the power of the different art forms, and the correspondences between them, which are an unending source of inspiration and enrichment.
All forms of violence are quests for identity. When you live on the frontier, you have no identity. You're a nobody.
The first forms of writing emerged not for art, literature, or love, not for spiritual or liturgical purposes, but for business--all literature could be said to originate from sales receipts (sorry).
Shapeshifting requires the ability to transcend your attachments, in particular your ego attachments to identity and who you are. If you can get over your attachment to labeling yourself and your cherishing of your identity, you can be virtually anybody. You can slip in and out of different shells, even different animal forms or deity forms.
I do not think of God theistically, that is, as a being, supernatural in power, who dwells beyond the limits of my world. I rather experience God as the source of life willing me to live fully, the source of love calling me to love wastefully and to borrow a phrase from the theologian, Paul Tillich, as the Ground of being, calling me to be all that I can be.
The core of racism is the notion that the individual is meaningless and that membership in the collective - the race - is the source of his identity and value. ... The notion of 'diversity' entails exactly the same premises as racism - that one's ideas are determined by one's race and that the source of an individual's identity is his ethnic heritage.
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