A Quote by Ralph Fiennes

And although I've been very fortunate in the film work that's come my way, I need to get back to the stage. If I'm away for a maximum of two years, I feel something's wrong.
Although I don't have a prescription for what others should do, I know I have been very fortunate and feel a responsibility to give back to society in a very significant way.
I've been very blessed, I think, or what do you call it... mmm... lucky to get at this stage what I have. It's not like I've come from acting school and done work at an academy or something. I feel I've been given a very huge chance and opportunity.
I was very fortunate to have gone to drama school in London for three years, and that was classical training in the sense that a lot of it was dominated by stage work, so I would love to go back to stage.
Acting, believe it or not, can get very self-involved! I feel fortunate to have been able to work on things with people who have a very specific point of view and perspective, and who feel like they're doing something very active.
No press conference announcing a last film. I'd just steal away. Best way because, if by chance after two or three years something interesting comes up, I would not - like Sinatra - have to say: 'Well, I've thought it over and decided to come back.'
I just feel like it's so amazing every few years when I'm not making a film to act and basically go back to film school and just watch other filmmakers work and try to be a part of somebody else's vision. So I feel like you do use two very different parts of your brain, and it's great to be able to jump back and forth.
If you've been fortunate enough to do a film that appeals to the entire family, that's the audience that's probably going to come back to you in something else.
Stage is the ultimate test; I like watching established screen actors on stage to see if they can really do it. But it's great to have a healthy mixture of the two. Film is so technical: there's something very particular about the relationship between you and the camera. It took a long time for me to get good on film.
There are moments when you feel that the desire to work is fading, and the only way to bring it back is to get away from it, to put yourself in a state of frustration so you feel the need again.
I consider theater, this is a vacation for me from LA, I sort of view this as I get to have this vacation and during my vacation I get to work on acting. It's like an acting class. And if I go too long without doing a play, I just feel empty. Like approaching a role, I feel like the pool is very shallow, like I'm drawn from it. So I need to come back and do a play, fortunately I've been able to, every couple of years.
I think it's very valuable as an actor to throw yourself back into having that direct connection with an audience on-stage and work that muscle. It is a very different type of work and equally fascinating. I mean, I've very much in love with filmmaking because I really love the way you can tell stories with a camera and how music and everything contributes to the story in a very direct way. But I also think it's very valuable to come back to theatre, so if the right script came along I would love to come back to London and do some more.
Although it's pretty rare that I'll get completed, finished lyrics to a song and feel like it's done, and then decide that it's not worth doing. Usually, I can tell along the way - even if it's something I've been working on for a couple of months - that it's just not going to work. Maybe I'll come back to it a few months or even a year later, or maybe it's just gone.
You come off of this screaming audience of many, many thousands of people. I used to find it very weird. You have two choices. Either you can stay and pump flesh with hundreds of people after the show, which really gets old, or you can come off stage, get into the car, and go straight out the back and away, back to the hotel.
I’ve come in and out of America for… well, I’ve lived here for 15 years. And I’ve played here for nearly 30 years. On and off. But I’ve always played to my fan base. And I can come and do two or three nights in New York or two or three nights in L.A., and all that. But when I go away, nobody knows I’ve been gone. You know, I don’t get reviewed or anything like that. So that’s why I’ve come back and done a longer time in a smaller place, in New York. It’s always the people who live here that get a chance to know me.
For the three years I was in school training to be an actor, I was told, 'It's very unlikely you'll work at all on the stage or in film', so I feel I have to take all the opportunities I can.
I have been one of the fortunate people to work with A R Rahman in a film and also many stage shows. It is always a pleasure.
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