A Quote by Ralph Fiennes

Actors use who they are to be someone else, but I would hate to ever think I'm playing myself. It's imagining being someone else that is the key motivating thing for me. So when people want to know about me, it makes me a bit unnerved.
How do I think of you? As someone I want to be with. As someone as young as me, but "older," if that makes sense. As someone I like to look at, not just because you're good to look at, but because just looking at you makes me smile and feel happier. As someone who knows her mind and who I envy for that. As someone who is strong in herself without seeming to need anyone else to help her. As someone who makes me thinks and unsettles me in a way that makes me feel more alive.
I don't think the government is out to get me or help someone else get me but it wouldn't surprise me if they were out to sell me something or help someone else sell me something. I mean, why else would the Census Bureau want to know my telephone number?
No one could ever hate me as much as I hate myself, okay? So any mean thing someone's gonna think of to say about me, I've already said to me, about me, probably in the last half hour!
I'm not scared anymore, I just ... I don't know. I think it's because I saw someone else, someone behind your face, like you'd taken off a mask. It was still you, but it wasn't. And I don't think that person is going to hurt me, or Marci, or anybody else, but ... I guess the thing is that I don't know anything about that person. At all. And that's what scares me more than anything - that there could be two people, so different, and one of them so secret.
Acting came easy to me, I think. There's something about it that's a lot easier for me in the sense that you're playing someone else. In music, you're giving somebody 'you.' Being able to do that and being willing to share that is an entirely different thing.
Imagining isn't perfect. You can't get all the way inside someone else...But imagining being someone else, or the world being something else, is the only way in. It is the machine that kills fascists.
You get told a lot in school to tell what you know, write what you know. But what excites me about filmmaking, about being a storyteller, is being able to learn about other people, putting myself in somebody else's shoes, whether that be someone from the Dominican Republic or someone from Cuba or inner-city Brooklyn.
Someone who surprises me, someone who makes me laugh, and someone who has her own life and wants to share that with me. I hate those relationships where someone is just following the other person around, you know?
I think now that I've tried directing, I'm not interested in doing adaptations anymore. I could do an adaptation of someone else's work that I would write, but the idea of taking someone else's material entirely doesn't interest me. One of the things that I found really helpful, at least in my mind - and I've never discussed this with the actors or with the people I work with - is that being a neophyte in directing, I feel like I have a kind of authority simply because I'm the writer as well.
I am not good at first or second impressions, and you have to spend some time with me to know me. Also, I don't want to put my best foot forward and prove something, as that is not me. I would rather be me and have you like me for who I am, instead of being someone else.
It is important that we learn humility, which says there was someone else before me who paid for me. My responsibility is to prepare myself so that I can pay for someone else who is yet to come.
Sure, I'm hyperactive. I make my staff a bit hyper, too, but motivating someone else is what gives me a buzz.
You almost have to step outside yourself and look at you as if you were someone else you really care about and really want to protect. Would you let someone take advantage of that person? Would you let someone use that person you really care about? Or would you speak up for them? If it was someone else you care about, you'd say something. I know you would. Okay, now put yourself back in that body. That person is you. Stand up and tell 'em, "Enough!
I'm not trying to get approval from anyone else. No one's approval matters to me - what matters is making myself happy for myself and no one else. And if I look good to someone else, I hope they take me as inspiration or whatever they want.
I would have had an easier life if I were straight, but I would not be me. And I now like being myself better than the idea of being someone else, someone who, to be honest, I have neither the option of being nor the ability fully to imagine.
The biggest compliment? I would say, "You helped me." I think in terms of life, not just with acting. But certainly with storytelling, being able to hold up a mirror and allow someone to relate to a story and see something in themselves to the extent that you're in service to another human being - I don't know why else we're here. To know that I helped someone would be the biggest compliment I could ever receive.
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