A Quote by Ralph Fiennes
Little moments can have a feeling and a texture that is very real.
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I get really excited when I have moments where my head - my mind - disappears, and I get this moment where I start to tingle, and maybe sweat a little bit, when I'm in that space of feeling real connected with everything, every living thing. I first started feeling this probably as a child, but again when I started meditating.
I am a dreamer. I know so little of real life that I just can’t help re-living such moments as these in my dreams, for such moments are something I have very rarely experienced. I am going to dream about you the whole night, the whole week, the whole year.
Man, the feeling of the make is something that I can’t put to words, it’s the very best feeling in the world. I just chase that, it’s a very real feeling and straight up, I am addicted to it.
I imagined that if the surface of the package imitated the colour and texture of the fruit skin, then the object would reproduce the feeling of the real skin.
Since I first picked up the violin, I've been very interested in tone and texture: I would have very visceral reactions to the texture of a snare drum or a pedal steel guitar or a violin.
People think of these eureka moments and my feeling is that they tend to be little things, a little realisation and then a little realisation built on that.
I search for the realness, the real feeling of a subject, all the texture around it... I always want to see the third dimension of something... I want to come alive with the object.
There are moments that I`ve had some real brilliance, you know. But I think they are moments. And sometimes, in a career, moments are enough.
I work a lot with dynamics of how loud I'm talking, like speaking into balloons and then feeling the texture on my fingertips, and then I get used to the feeling on my throat.
The capacity for not feeling lonely can carry a very real price, that of feeling nothing at all.
Little moments attach themselves to other little moments and collect into big dreams. We become what we experience.
I will say that 'Riverdale,' yes, is a little more sensationalized. It's based on comics, and it is a little bit more dramatic and a little bit more made for TV, made for teens. For '13 Reasons,' we tried hard to make it as real as we could, as close to reality as possible. No corners were cut; everything was very raw and very real.
I'm of the opinion that the real is imagined and the imagined is quite real. The real is imagined, in the sense that we shape our stories, so anything that even happens on the news gets shaped in a certain way and gets a texture, and that the imagined can be real.
Kill Bill is one of my favorite movies. It has this gritty feeling to it, and it's got a little bit of everything - a little bit of western, a little bit of samurai, and a lot of this very cinematic violence that I personally think is very entertaining.
The idea that when one reacts, one is not reacting to any one of those moments. You're reacting to the accumulation of the moments. I wanted the book, as much as the book could do this, to communicate that feeling. The feeling of saturation. Of being full up. I wanted it to be simulacra.
If everything is happy go-lucky all the time, you don't know when you're experiencing joy and feeling life at its finest moments. You have to suffer a little.
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