A Quote by Ralph Lauren
I have always been drawn to the beauty of things designed to function. Mixing technical pieces with more traditional prints and patterns creates not only a quality experience, but a look that is unique, and for me, very exciting.
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Women who have understood fashion and style for so long have always known it's not about having more pieces. It's about having the right pieces and having the pieces that are of a great quality and look like you know what you're doing. You don't have to have a million things on.
Do not be afraid of large patterns, if properly designed they are more restful to the eye than small ones: on the whole, a pattern where the structure is large and the details much broken up is the most useful...very small rooms, as well as very large ones, look better ornamented with large patterns.
Recycling is more expensive for communities than it needs to be, partly because traditional recycling tries to force materials into more lifetimes than they are designed for - a complicated and messy conversion, and one that itself expends energy and resources. Very few objects of modern consumption were designed with recycling in mind. If the process is truly to save money and materials, products must be designed from the very beginning to be recycled or even "upcycled" - a term we use to describe the return to industrial systems of materials with improved, rather than degraded, quality.
I like things that are well cut, things that are considered within their detailing. Fabrics that are very developed; specialist jacquards and prints. My clothes are statement pieces. They're decorative, but there's always a subversiveness or an othersidedness to them.
Historical costumes from the 18th and 19th centuries look so complicated, but when you see the patterns, it's very systematic. I've always been impressed by how the patterns economize the fabric.
I think my heritage makes me very open to try things, taking on different flavours, mixing it all up. I find that exciting.
Animals come from nature. They were not designed. All my inspiration comes from nature, whether it's an animal or the layout of bark or of a leaf. Sometimes my patterns are very bold, and you can barely see where they come from, but all the textures and all the prints come out of nature.
Jiro Ono serves Edo-style traditional sushi, the same 20 or 30 pieces he's been making his whole life, and he's still unsatisfied with the quality and every day wakes up and trains to make the best. And that is as close to a religious experience in food as one is likely to get.
You're just always growing. I feel like it's been very fast growth, but super exciting and I know I'll look back and feel like 'Yes, things were stressful, but it was also such an exciting time.'
There are only patterns. Patterns on top of patterns, patterns that affect other patterns, patterns hidden by patterns, patterns within patterns.
There are so many fantastic roles, but the ones that have always drawn me to them are the loners who, for whatever reason, never quite fit in and knew it and had to find their own way. I've always been drawn to that, for some reason. I've always been drawn to that sad, isolated place, but what it produces in behavior is something else, entirely. For whatever reason, I'm drawn to these people. Essentially, I think what draws me is that they are survivors against rather considerable odds.
Most of my jewellery is designed in South India. I pick out unique pieces in silver and then remake them in gold. None of my pieces are gifts; I make all my jewellery.
I'm really drawn to comedy. I grew up in the South, so I'm drawn to all things southern, so my role in 'Getting On' has been fun for me to play something southern - I always feel like I understand those characters more because of where I was raised.
There are only patterns, patterns on top of patterns, patterns that affect other patterns. Patterns hidden by patterns. Patterns within patterns. If you watch close, history does nothing but repeat itself. What we call chaos is just patterns we haven't recognized. What we call random is just patterns we can't decipher. what we can't understand we call nonsense. What we can't read we call gibberish. There is no free will. There are no variables.
Whether experimenting with the latest trends during my teenage years or turning to quality designer pieces to show off my more refined style today, I've always turned to places like T.J.Maxx to find those pieces that are truly me.
I love floral prints for little girls, and I love mixing prints.
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