A Quote by Ralph Macchio

My father owned some Laundromats, and when I was 10, he had me in there making change and being an attendant. He taught me that on weekends, you had to get up and go to work. That has been a big help in acting.
The only thing stopping me from being on the streets was the fact I had friends. But you can use up that goodwill. Or you feel scared to ask people for help. Your pride kicks in. So my life before 'Sex Education' was so different. To go to my audition, I had to get my friend to transfer me 10 quid so I could top up my Oyster card.
I discovered on school days, when they've got to get up at 6:30, they won't get out of bed. But on the weekends, they were up at 6 a.m. I was like, "Why do you guys wake up so early on the weekends?" It's like, "Because I wake up and I think, Is it a TV day? And if it is..." So we had to change that rule. I'm like, "Thank you for telling me what I need to do."
When I first began acting, I assumed an intellectual responsibility attached to my profession, which I had accepted for a long time. My father taught me that an actor had to have a social and political conscience, and that the work that he does has to reflect from that.
I grew up not having a father. Golf is the father I never had. It taught me honesty and respect and discipline and it taught me to control my temperament.
Growing up in Highland Park, in high school, I had some very influential teachers: I had a math teacher who taught calculus that helped me learn to be in love with mathematics; I had a chemistry teacher who inspired us to work what was in the class and to go beyond.
I had five sisters and one brother, so having a big family is a given for me, but now being a father, and trying to be a good father, I already have my work cut out for me.
To be honest, I've always had far too much freedom. I had a job when I was 10. I started living on my own when I was 17 or 18. I've earned my own money; I've traveled the world. What would I rebel against? I've had so much freedom, sometimes it was hard. My parents wanted to protect me, but they had no idea how to. I had to learn as I went and make my own mistakes. I went from being totally unknown and never acting professionally to being in a major movie and being very famous. It all happened so quickly, I didn't have any time to work things out. It's been pretty scary at times.
I was attached to star in a project that was going to be an unbelievable character piece, to be showcased all over the world. It was everything I had been working toward and had suffered for. I had two months to prep and pretty much bankrupted myself in the process. A week before I was supposed to get on the plane, the whole project fell apart. Not only did it leave me completely broke and out of work, but I felt as if I had been betrayed by acting. Acting is not just something I love but a part of who I am. I was shattered. Thankfully, the love of those around me helped push me forward.
'Miss Saigon' taught me what it means to help carry a big show, and it had some of the most gorgeous songs wrote.
I don't have that drive to be in this field, climbing up, doing bit parts in movies to make a big movie. But I'm lucky I get to also do acting - it's fun. I should probably just take an acting class on the weekends - that would be enough for me.
In my kind of reporting work, you don't parachute in after some big, terrible event, which is important and has to be covered, but offers only a glimpse. It's the kind of work in which you ask, what is my understanding of how the world works, and where can I go to see these questions get worked out in individuals' lives? That was really the question for me: whether I had anything to add to what had already been written.
The storm was really giving it everything it had. This was its big chance. It had spent years hanging around the provinces, putting in some useful work as a squall, building up experience, making contacts, occasionally leaping out on unsuspecting shepherds or blasting quite small oak trees. Now an opening in the weather had given it an opportunity to strut its hour, and it was building up its role in the hope of being spotted by one of the big climates.
I was really close to my father since I was young. He always told me that I had to work in order to become a man, so I had to stay with him when my mother left. He always took me to work to help him as a bricklayer. I was just a kid, so I did what I could do to help him.
I need to talk to Lena" There it was. I'd finally said it. The one thing that had kept me from being able to exhale all day. The thing that had made me feel like I couldn't sit down, like I couldn't stay. Like I had to get up and go somewhere, even if I had nowhere to go.
That result at the French was a big break for me. I had been playing quite well up until that point but nobody really expected me to do well on clay - it was my worst surface. I had had some success on the clay but I was a set and a break up in the semi-final against Jausovec and maybe the enormity of the occasion got to me.
I've been bumped, I've had to go up after them, I've had stuff thrown at me, I've been booed. I've had people steal from me and lie to me.
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