A Quote by Ralph Marston
In the midday sun, a bright light will be barely noticed. Yet in the darkest night, even the smallest light can make an enormous difference.
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Do you hear the people sing Lost in the valley of the night? It is the music of a people Who are climbing to the light. For the wretched of the earth There is a flame that never dies. Even the darkest night will end And the sun will rise.
Like the way the sun is right now, with the long shadows, and that kind of bright, soft light you get when the sun isn't quite setting? That's the light that makes everything better, everything prettier, and today, everything just seemed to be in that light.
Measure not God's love and favour by your own feeling. The sun shines as clearly in the darkest day as it does in the brightest. The difference is not in the sun, but in some clouds which hinder the manifestation of the light thereof.
Tonight, I should watch the sun set, and think of the impending darkness as a metaphor for my wasted life: once it was bright, and full of potential, and now it is dark and hopeless and bleak. I should not make the mistake of thinking that the moon and the stars represent slim glimmers of hope, or evidence that there is light on the other side. Even if there is light somewhere I will never walk in it again.
On Hanukkah, the first dark night,
Light yourself a candle bright.
I'll you, if you will me invite
To dance within that gentle light.
Virtue could see to do what virtue would By her own radiant light, though sun and moon Were in the flat sea sunk. And Wisdom's self Oft seeks to sweet retired solitude, Where with her best nurse Contemplation She plumes her feathers and lets grow her wings, That in the various bustle of resort Were all-to ruffled, and sometimes impair'd. He that has light within his own clear breast May sit i' th' centre and enjoy bright day; But he that hides a dark soul and foul thoughts Benighted walks under the midday sun.
The night has a thousand eyes, And the day but one; Yet the light of the bright world dies, With the dying sun. The mind has a thousand eyes, And the heart but one; Yet the light of a whole life dies, When love is done.
The saddest day has gleams of light, The darkest wave hath bright foam beneath it. There twinkles o'er the cloudiest night, Some solitary star to cheer it.
When we try to make everything clear, we make everything confused. If, however, we admit one mysterious thing in the universe, then everything else becomes clear in the light of that. The sun is so bright, so mysterious, that one cannot look at it, and yet in the light of the sun everything else is seen.
The sun rises every morning and sheds light, vanquishing the night's darkness. The rooster also rises every morning only, unlike the sun, he simply makes noise. But the darkness of the night is dispelled by sunshine, not by the rooster's crowing. The world can use more light and less noise. Wherever I can, I want to be light.
Greek architecture taught me that the column is where the light is not, and the space between is where the light is. It is a matter of no-light, light, no-light, light. A column and a column brings light between them. To make a column which grows out of the wall and which makes its own rhythm of no-light, light, no-light, light: that is the marvel of the artist.
There is nothing more mysterious than blood. Paracelsus considered it a condensation of light. I believe that the Aryan, Hyperborean blood is that — but not the light of the Golden Sun, not of a galactic sun, but of the light of the Black Sun, of the Green Ray.
There will be natural propriety in using an eastern light for bedrooms and libraries, a western light in winter for baths and winter apartments, and a northern light for picture galleries and other places in which a steady light is needed; for that quarter of the sky grows neither light nor dark with the course of the sun, but remains steady and unshifting all day long.
The father is the sun, the mother is the moon and the light they mutually shed on their kids makes them bright stars against a very dark night.
The dark is generous, and it is patient, and it always wins. It always wins because it is everywhere. It is in the wood that burns in your hearth, and in the kettle on the fire; it is under your chair and under your table and under the sheets on your bed. Walk in the midday sun, and the dark is with you, attached to the soles of your feet. The brightest light casts the darkest shadow.
But I have a problem with the term 'light'. I never in my life knew what to do with that. I know that people have mentioned on some occasions that 'Richter is all about light', and that 'the paintings have a special light', and I never knew what they were talking about. I was never interested in light. Light is there and you turn it on or you turn it off, with sun or without sun. I don't know what the 'problematic of light' is. I take it as a metaphor for a different quality, which is similarly difficult to describe. Good.
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