A Quote by Ralph Stanley
I have plenty of good friends that I think the world of - and Bob [Dylan] is one of them, and I like his music - but with some others... their music I just don't care too much about all of it. Some of it I like.
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Some guys that know me from when I was a kid say "My son, oh he's just like your father." It's just a natural part of our lives. But, within the music industry and within the industry of the critiques of music, where it becomes "Ziggy's music is not as good as Bob's music," I don't understand. But I don't really pay much attention to that because I'm just expressing myself.
A panoramic vision of Bob Dylan, his music, his shifting place in American culture, from multiple angles. In fact, reading Sean Wilentz's Bob Dylan in America is as thrilling and surprising as listening to a great Dylan song.
I realized a lot of my friends were going to nightclubs and listening to house music. I was hanging out with them and going to clubs as well but I didn't really understand that kind of music. I was listening to country music and was heavily into Hank Williams, bluegrass, and Bob Dylan. So I just decided I really needed to understand what this music I was hearing in the clubs was all about.
I've listened to Dylan my entire life. My dad was a huge Bob Dylan fan, so we listened to his music, Cat Stevens, Simon & Garfunkel, and all that kind of stuff. It opened up a whole world of this music that I'm now obsessed with.
I would find myself being inspired by things that I've heard as a kid: Nigerian music or African music, some French music or some Jamaican music. When it's time for music to be made, it's almost like my ancestors just come into me and then it's them.
It's like there's the rest of the world, and then there's America. Part of the reason I would really love continue to making music over here because so much of American music has inspired me, whether it's Jeff Buckley, Joni Mitchell, Bob Dylan, Bruce Springsteen.
In the 1960s, people like Bob Dylan, his music and words were a threat to the society and mainstream of the time. It shook people alive, and directly and indirectly things changed. But, as I see it, the change is never through the music alone. It's also the circumstances around the music that will cause/create the effect. And sometimes it's just strictly accidental that a piece of music becomes a form of protest.
Music itself isn't enough to completely wear down my stash of anger. And I don't have all that much more to be angry about than anyone else. It's not like I was abused as a kid or anything. I had a pretty comfortable childhood with parents who took good care of me. But resentment exists, and some of it goes into the music. Some of it goes into physical activity.
Some like them hot,some like them cold. Some like them when they're not to darn old Some like them fat,some like them lean. Some like them only at sweet sixteen. Some like them dark,some like them light. Some like them in the park,late at night. Some like them fickle,some like them true, But the time I like them is when they're like you
Words and ideas can change or influence the mind just like music can - yes, like a spell. Regarding the effect of my "spells" I think it varies; my music communicates with some, and I think it has had a positive influence on the minds of those who like it. I hope it helped them see the world from a different perspective.
I'm definitely not a laptop/midi/abelton guy. But there is a lot of music I like. I really like Bach organ music. I really like Chopin piano music. I really like Wendy Carlo's electronic music. I really like Miles Davis and John Mclaughlin jazz style. So I'm not only an old-school rocker, but I have to admit that I'm going to be listening to The Doors, Rolling Stones, Iggy Pop, David Bowie and Bob Dylan many times a week.
I was like, "Who the hell is Bob Dylan?" I was going to learn one song to appease my mom and alphabetically the first song in the book was "Absolutely Sweet Marie." When I heard it, it was like "Oh, there is something going on here. It's not like my parents' boring music that I don't care about. This is totally electrifying."
If a producer has 5 million bucks tied up in a picture, he's not about to let a guy like Burt Reynolds wreck a car when he can get a dummy like me to do it. But some stars would make good stuntmen. Reynolds is one of them. Bob Fuller and Doug McClure are strong, tough guys with plenty of courage, too.
The Control movie is not about suicide, it's not about epilepsy, it's not about everything else, but it's about an individual who was thinking out of the box and took his own passion and created music. His negativity and whatever else, he bottled them up and spilled them out onto his world of music. I think a sense of hope comes from the end of the movie, in my mind. Some people come out of the movie and think, 'That's the saddest thing I've ever seen,' and others come out and think, 'God, there's optimism.'
I'm a huge Springsteen fan, and yet if either he or Bob Dylan had to be erased from the world's hard drive, I would save Bob Dylan's work for sure - he's the greater talent, and by leaps and bounds and skyscrapers and rocket blasts. But Bob Dylan is an alien to his public.
Bob Dylan and Leonard Cohen. They're my biggest heroes. I love everything about Leonard Cohen: his lyrics and his voice. He seems like a really clever man, and Bob Dylan does as well. He's just really cool.
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