A Quote by Ralph Stanley

I don't listen to the radio too much, but usually I listen to Stanley Brothers and Ralph Stanley more than I do anybody! — © Ralph Stanley
I don't listen to the radio too much, but usually I listen to Stanley Brothers and Ralph Stanley more than I do anybody!
I had some good teachers. One of the greatest teachers I've had is bluegrass music: going back and listening to Bill Monroe's music, the Stanley Brothers, Flatt & Scruggs. When I was with Ralph Stanley I learned a lot from him.
I listen to NPR when I listen to the radio, but I don't listen to the radio that much. You know, I listen to Garrison Keillor, I listen to 'Prairie Home Companion.'
Ralph Stanley is like an uncle to us and now that all my uncles are gone, Ralph's singing is even more precious. This album of classic folk songs is one of his best.
I listen to a lot of Chicago blues, I suppose. It reminds me of growing up, I guess. But I'm also obsessed by close-harmony groups. Actually, I'm fascinated particularly by brother duos, how they blend together. The Everly Brothers, the Stanley Brothers, The McQuarrys. There's something inherently magical about harmony.
I started playing bluegrass with my family, so there were the G, C and D chords. I was playing a Martin acoustic because that's what Carter Stanley of the Stanley Brothers played. Then I got into the really raw blues of Hound Dog Taylor and started on electric guitar.
I still listen to older music a lot more than new singers. I listen to whatever's on the radio, but when I want to listen to something that moves me I put on a Stevie Wonder record.
I was named Stanley because the week before I was born, my mother and father saw a movie - 'Stanley and Livingstone.'
I'm a combination of Linda Ronstadt, Loretta Lynn and Ralph Stanley.
I love Don Williams records. And old Ralph Stanley and Bill Monroe.
Every now and then, I might listen to music, but I try not to listen to it too much because when you turn on the radio and hear the same song over and over again. You won't appreciate it as much; it won't be as fresh.
I'd worked in Clockwork Orange with Stanley Kubrick and since Stanley was such a prestigious director this opened all sorts of doors for me - one of them being Star Wars.
Stanley Kubrick was very selective when he went into a close-up. Every director has his taste in a performance, but Stanley would explore a scene to find what was most interesting for him.
I love my family's music because I love it. It's good. I listen to the Winans all the time. I listen to BeBe and CeCe. I listen to Angie and Debbie. I listen to Uncle Daniel. I listen to Phase 2, my two brothers and my two cousins. I think they're incredible.
It's often the case with directors that they don't like to share credit, which is the case of Stanley. He would prefer just A Film By Stanley Kubrick including music and everything.
I like all kinds of music. I listen to Abigail Washburn, the Punch Brothers, and Marc Johnson, the great clawhammer player. I also listen a lot to Sirius Radio, there's a lot of bluegrass there.
I used to not listen that much, but I've really learnt to listen to other people and to really listen to what they're saying. I've found, especially being on a film set, people have so many different stories; if you just listen, you can pick up so much stuff. I try to listen as much as I can.
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