A Quote by Ralph Steadman

Call immediately. Time is running out. We both need to do something monstrous before we die. — © Ralph Steadman
Call immediately. Time is running out. We both need to do something monstrous before we die.
Why now? Why not? Live or die, a man and a woman need love. There is a need in the race. We need to share. To belong. Perhaps you will die before the year is out. But remember this: to have may be taken from you, to have had never. Far better to have tasted love before dying, than to die alone.
Every time you do something, make something, it's final in a way, but it's not. It immediately raises a great set of questions. And if you become a question addict, which I am, you immediately have something you need to pursue.
You gotta call it out first; it always has to be called out when we need social change, but this is how social change happens: you call it out. People had to call out child labor. People had to call out, 'Hey time's up; we need to vote. We live in this country.' People had to call out 'time's up' on enslaving people, you know.
Whenever I don't have anything to do, I play Candy Crush or Scrabble. We actors have time between shots, which we need to kill. And we cannot call friends or family, as you are called at a moment's notice. So you need to do something which you can dispose of immediately when called for a shot.
We are on the brink of a new energy order. Over the next few decades, our reserves of oil will start to run out and it is imperative that governments in both producing and consuming nations prepare now for that time. We should not cling to crude down to the last drop – we should leave oil before it leaves us. That means new approaches must be found soon..... The really important thing is that even though we are not yet running out of oil, we are running out of time.
If I get even five per cent of my ideas out and documented before I die, I'll be lucky. I'm not in danger of running out of riffs or ideas anytime soon. They overwhelm me and it's hard to find time to deal with them.
He misses the feeling of creating something out of something. That’s right — something out of something. Because something out of nothing is when you make something up out of thin air, in which case it has no value. Anybody can do that. But something out of something means it was really there the whole time, inside you, and you discover it as part of something new, that’s never happened before.
Running is something you just do. You don’t need a goal. You don’t need a race. You don’t need the hype of a so-called fitness craze. All you need is a cheap pair of shoes and some time; the rest will follow.
We've poisoned the air, the water, and the land. In our passion to control nature, things have gone out of control. Progress from now on has to mean something different. We're running out of resources and we are running out of time.
Both instruments are processors of information. Both appeared when nothing quite like them had existed before, and both began to make their effects felt immediately (a situation that isn't invariable with new technology). Both devices were less the result of a single breakthrough than of an evolving set of technologies. Like the computer, the printing press had no one certain inventor; it was a technology whose time had come.
Call-time has renewed my faith in the need for public financing of elections. 'Call-time' is where I as the candidate, sit in a room with my 'call-time manager,' and a phone. Then I call people and ask them for money. For hours. Apparently, I'm really good at it.
Call-time has renewed my faith in the need for public financing of elections. Call-time is where I as the candidate, sit in a room with my “call-time manager,” and a phone. Then I call people and ask them for money. For hours. Apparently, I’m really good at it.
There's this kind of war on running - people keep telling you you'll get hurt, get injured, that you need orthotics, that you need go to a special running store before you try it. There's this totally misconceived notion that it's hard to do, and it's not.
I started to shed the monstrous aesthetic affectation of my youth so as to make room for the monstrous philistine postures of middle age, but it was some years before I was bold enough to decline an invitation to "Hamlet" on the grounds that I knew who won.
My die-hard fans who came out - I call them my die-hard fans because any time a fan pays to see you, they have to love what you're doing, respect the craft.
Where war destroys, art inspires. And in order to inspire, you need to penetrate the brain. In order to penetrate the brain, you need something to react to. To have something to react to, you need to get your emotions up and running. To get your emotions up and running, you need to have something that ... whatever direction you go in, it has to be a movement between you and the experience.
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