A Quote by Ralph Steadman

Whats a gonzotic frenzy? Well its me in the throes of an ink splattering attempt to capture the feeling I have at that particular time. — © Ralph Steadman
Whats a gonzotic frenzy? Well its me in the throes of an ink splattering attempt to capture the feeling I have at that particular time.
For me concrete poetry was a particular way of using language which came out of a particular feeling, and I don't have control over whether this feeling is in me or not.
I think it's important to understand that a cartoonist is not drawing for favourable reviews from politicians. What we're trying to do is capture the popular feeling of the time about a politician or a particular political issue. For that reason I think it sums up public attitudes that is very helpful to historians down the road.
The student of biology is often struck with the feeling that historians, when dealing with the rise and fall of nations, do not generally view the phenomena from a sufficiently high biological standpoint. To me, at least, they seem to attach too much importance to individual rulers and soldiers, and to particular wars, policies, religions, and customs; while at the same time they make little attempt to extract the fundamental causes of national success or failure.
Of course, if you photograph the behavior of women and men at a particular time in history, in a particular situation, you will capture differences. But the error lies in inferring that a snapshot is a lasting picture. What women and men do at a moment in time tells us nothing about what women and men are in some unvarying sense - or about what they can be.
Any attempt to speak without speaking any particular language is not more hopeless than the attempt to have a religion that shall be no religion in particular.... Every living and healthy religion has a marked idiosyncrasy. Its power consists in its special and surprising message and the bias which that revelation gives to life.
Sometimes animals may suffer more because of their more limited understanding. If, for instance, we are taking prisoners in wartime we can explain to them that although they must submit to capture, search, and confinement, they will not otherwise be harmed and will be set free at the conclusion of hostilities. If we capture wild animals, however, we cannot explain that we are not threatening their lives. A wild animal cannot distinguish an attempt to overpower and confine from an attempt to kill; the one causes as much terror as the other.
Every novel is an attempt to capture time, to weave something solid out of air. The author knows it is an impossible task - that is why he keeps on trying.
The theme for me is love and the lack of it. We all want that and we don't know how to get it, and everything we do is some kind of attempt to capture it for ourselves.
When people do bad things intentionally, they know they've done them. But it's not to be cared about. That's the problem with the tabloid press; they dramatize these things until there's a state of frenzy. People see frenzy and they go, "What?" Then they clamor toward the frenzy. We all do it. It's a primal, natural response.
When I was five I learned to read. Books were a miracle to me - white pages, black ink, and new worlds and different friends in each one. To this day, I relish the feeling of cracking a binding for the first time, the anticipation of where I'll go and whom I'll meet inside.
What I sell is the higher knowledge of knowing whats next and not following the trend of whats now.
I think a joke is a form of truth-telling. A good joke that's absurd contains elements of our daily darkness and also a possibility to escape that darkness. So, for me, humor is an attempt to capture everyday tragedy and everyday hopeful moments that we experience all of the time.
The risk pertinent to a particular attempt (and to its evaluation as an attempt of its sort) is the risk that the agent will fail to attain the end constitutive of that attempt. This risk of failure is coordinate with how likely or unlikely it may be that the agent will then succeed.
I have a company in the U.K., a performance-capture studio. We're looking to push the boundaries of performance-capture technology in film and video games, but also in live theater, using real-time performance capture with actors onstage, and combining that with holographic imagery.
To speak technically photography is the art of writing with light. But if I want to think about it more philosophically, I can say that photography is the art of writing with time. When you capture an image you capture not only a piece of space, you also capture a piece of time. So you have this piece of specific time in your square or rectangle. In that sense I find that photography has more to do with time than with light.
The attempt to live that way, the attempt to treat everybody - it fails all the time - but the attempt to treat people as equals is a good attempt. It's a very good attempt. And there have been very few governments that have come anywhere near it in the past. The Greeks began to, the Romans began to - they both failed.
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