A Quote by Ralph Waldo Emerson
The virtue you would like to have, assume it is already yours, appropriate it, enter into the part and live the character just as the great actor is absorbed in... the part he plays.
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That's part of the character of Shanghainese people. They're good negotiators, they're very persistent, and you grow up in an atmosphere like that - very competitive. That becomes part of your personality: Shanghai personality becomes part of yours. Just like New Yorkers - they're often like that.
I would like to find, or I would like a part to come to me that is like the part that Dennis Franz was fortunate to be able to play on 'NYPD Blue,' a sort of similar-looking actor to me, a generic, bald white guy who you would often think of as playing the authority figure. But he was the disgruntled middle-man. That would be a fun character.
Those who quit their proper character to assume what does not belong to them are, for the greater part, ignorant both of the character they leave and of the character they assume.
How you look is part of what acting is, but the way I look at it, every actor is a character actor. Someone once told me at a casting, 'You're a character actor in a leading man's body,' and I can live with that.
I think Ryan Gosling is a really great actor who's meticulous about his work. And I'd love to have the guts that Johnny Depp has to actually go outside the box on a character. When he plays a character, he plays it in a way that nobody else would.
It was good, and nothing good is truly lost. It stays part of a person, becomes part of their character. So part of you goes everywhere with me. And part of me is yours, forever
Pransaab was a great character actor. What he has achieved as an actor, I cannot think of achieving even a part of it.
It is my greatest joy to live a really good part, even though it imposes great strain. An artist is tired but proud when he has created a great work of art. So it is with the actor who really lives a great role and is proud of the part he played.
The only thing I have tried to do is be a part of different films and bring out a different side of me as an actor every time I play a character. I would like to be known as a versatile actor.
We are not what we seem. We are more than what we seem. The actor knows that. And because the actor knows that hidden inside himself there's a wizard and a king, he also knows that when he's playing himself in his daily life, he's playing a part, he's performing, just as he's performing when he plays a part on stage.
I think a part of the reason that those early plays were short was that I just kept having these ideas, and I'd just go off and write them. I wasn't trying to write one-act plays - it's just how the ideas would be expressed. Every condition I was in seemed like it could be a play.
Just working on a character and his mannerisms, but not looking the part, is not my thing. It is your duty as an actor to be honest to the character.
There is no more reason for a room on a stage to be a reproduction of an actual room than for an actor who plays the part of Napoleon to be Napoleon, or for an actor who plays Death in the old morality play to be dead.
I've been nominated twice before as actor in a leading part. Now I'm nominated as actor in a supporting part. If I don't win, I'll just wait until I'm nominated for being in the theater during the show. Do they have one like that?
Politics and the pulpit are terms that have little agreement. No sound ought to be heard in the church but the healing voice of Christian charity. The cause of civil liberty and civil government gains as little as that of religion by this confusion of duties. Those who quit their proper character to assume what does not belong to them are, for the greater part, ignorant both of the character they leave and of the character they assume.
I don’t mind if the character is a small character, but I would just like her to have a journey in the film. Sometimes the characters are just there as a prop to further the man’s story. The great directors I’ve talked to, I’ve said listen, I don’t mind playing a woman that is a tiny part, but how does the story affect her? What can I play in the end that’s different from the beginning? Otherwise, it doesn’t make sense, because it’s just like being a prop.
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