A Quote by Ralph Waldo Emerson

Great is paint; nay, God is the painter; and we rightly accuse the critic who destroys too many illusions. Society does not love its unmaskers. — © Ralph Waldo Emerson
Great is paint; nay, God is the painter; and we rightly accuse the critic who destroys too many illusions. Society does not love its unmaskers.
Society does not love its unmaskers.
Sometimes I seem to be two people. One who does not paint and one who does. The one who does not paint assumes that the one who does can paint anything. The one who is the painter sometimes finds it difficult to live up to that faith.
Paint records the most delicate gesture and the most tense. It tells whether the painter sat or stood or crouched in front of the canvas. Paint is a cast made of the painter's movements, a portrait of the painter's body and thoughts.
Technique is really personality. That is the reason why the artist cannot teach it, why the pupil cannot learn it, and why the aesthetic critic can understand it. To the great poet, there is only one method of music - his own. To the great painter, there is only one manner of painting - that which he himself employs. The aesthetic critic, and the aesthetic critic alone, can appreciate all forms and all modes. It is to him that Art makes her appeal.
Success is not rightly measured by the worldly standards of wealth, prestige and power. None of these bestow happiness unless they are rightly used. To use them rightly one must possess wisdom and love for God and man.
The man who can see all gray, and red, and purples in a peach, will paint the peach rightly round, and rightly altogether. But the man who has only studied its roundness may not see its purples and grays, and if he does not will never get it to look like a peach; so that great power over color is always a sign of large general art-intellect.
Every child is born with tremendous love for himself. It is the society that destroys that love, it is the religion that destroys that love - because if a child goes on growing in loving himself, who is going to love Jesus Christ? Who is going to love the president, Ronald Reagan? Who is going to love the parents?
As happens with people who love a thing too much, it destroys them. Oscar Wilde said, 'You destroy the thing that you love.' It's the other way around. What you love destroys you.
All accusation is of the devil, no matter where it comes from. It is just as dangerous to accuse others as it is to give the accuser room in your own life. The accuser gives no hope. God does not accuse us, but He does give us promptings that bring light and hope.
I think it's a bit like saying a painter does a painting everyone loves and it's 40% blue paint, so from now on you have to paint paintings that are 40% blue. That's the film industry at its most blunt, which is why it's constantly bats and spiders and superheroes.
If you're a painter, paint. But you don't have to put Jesus in every picture. Paint well, and if you paint well enough, they might ask you why you do that.
The love of God is one of the great realities of the universe, a pillar upon which the hope of the world rests. But it is a personal, intimate thing too. God does not love populations, He loves people. He loves not masses, but men.
Someone tells us that God loves us as a father loves his children. We are reassured. But then something awful happens. Some qualification is made.... We are reassured again. But then perhaps we ask: what is this assurance of God's (appropriately qualified) love worth, what is this apparent guarantee really a guarantee against? Just what would have to happen not merely (morally and wrongly) to tempt but also (logically and rightly) to entitle us to say "God does not love us" or even "God does not exist"?
What caricature is in painting, burlesque is in writing; and in the same manner the comic writer and painter correlate to each other; as in the former, the painter seems to have the advantage, so it is in the latter infinitely on the side of the writer. For the monstrous is much easier to paint than describe, and the ridiculous to describe than paint.
If I were a painter, I would paint beautiful bodies - I would paint nipples, and I would paint Bibles. Am I going to say, 'I'm not going to paint this woman's neck because people will think I just want to lick on necks?' Please! That's not what art is about.
The big painter is one who has something to say. He thus does not paint men, landscape or furniture, but an idea.
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