A Quote by Ralph Waldo Emerson
Every word was once a poem. Every new relation is a new word.
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The word; the forth-speaking of a thought, an idea, a truth, is the beginning of every new creation, or pulse of creation. It is the inauguration of every new order of things; it begins every new messianic reign, every coming of a better time. The darkness never comprehends it; but always, to as many as receive it, it gives power.
For me, the power of the poetry in 'Milk and Honey' is the feeling you get after finished reading the poem. It's the emotion you feel once you've read the last word, and that is only possible when the diction is easy, and you don't get stuck on every other word, you don't know what the word means.
It does not need that a poem should be long. Every word was once a poem.
The difference between 'lighght' and another type of poem with more words is that it doesn't have a reading process. Even a five-word poem has a beginning, middle, and end. A one-word poem doesn't. You can see it all at once. It's instant.
Every good thought, every good word, every good emotion, and every act of kindness, is lifting the vibration of your being to new heights. And as you begin to raise your vibration, a new life and a new world will reveal itself to you.
Every word was once a poem.
Behind every word a whole world is hidden that must be imagined. Actually, every word has a great burden of memories, not only just of one person but of all mankind. Take a word such as bread, or war; take a word such as chair, or bed or Heaven. Behind every word is a whole world. I'm afraid that most people use words as something to throw away without sensing the burden that lies in a word.
I am a writer, I deal in words. There is no word that should stay in word jail, every word is completely free. There is no word that is worse than another word. It's all language, it's all communication.
The secret of good writing is to strip every sentence to its cleanest components. Every word that serves no function, every long word that could be a short word, every adverb that carries the same meaning that’s already in the verb, every passive construction that leaves the reader unsure of who is doing what—these are the thousand and one adulterants that weaken the strength of a sentence. And they usually occur in proportion to the education and rank.
Don't ever believe that you are going to be peaceful-life is not like that. When you are changing all the time, you've got to continue to keep adjusting to change, which means that you are going to be constantly facing new obstacles. That's the joy of living. And once you are involved in the process of becoming, there is no stopping. You're doomed! You're gone! But what a fantastic journey! Every day is new. Every flower is new. Every face is new. Everything in the world is new, every morning of your life. Stop seeing it as a drag!
I write because to write a new sentence, let alone a new poem, is to cross the threshold into both a larger existence and a profound mystery. A thought was not there, then it is. An image, a story, an idea about what it is to be human, did not exist, then it does. With every new poem, an emotion new to the heart, to the world, speaks itself into being.
I question every word; I write 'the' and immediately feel scorn. It's such an ordinary word - everybody uses it - why can't I come up with something original? In the sunlight, every single word seems hackneyed.
You are more than entitled not to know what the word 'performative' means. It is a new word and an ugly word, and perhaps it doesnot mean anything very much. But at any rate there is one thing in its favor, it is not a profound word.
In the beginning, we're told, was the word. Every once in a while someone shows up on the planet who is word-obsessed and word-gifted; and the light and darkness get named again. In our day, that someone is Buechner.
In a machine, every part has a function. In a poem, every word needs to be there.
In the attacks on the old ways of doing things on word in particular came into currency. That word was "kitsch." Once introduced, the word stuck. Whatever you do, it musn't be kitsch. This became the first precept of the modernist artist in every medium.
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