A Quote by Ralph Waldo Emerson
Many photographers think they are photographing nature when they are only caricaturing her.
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I eventually saw the satirical nature of caricaturing individuals.
Photographers stop photographing a subject too soon before they have exhausted the possibilities.
People aren’t photographing for history any more. It’s for immediate gratification. If you’re photographing to share an image, you’re not photographing to keep it.
I have always avoided photographing in the studio. A woman does not spend her life sitting or standing in front of a seamless white paper background. Although it makes my life more complicated, I prefer to take my camera out into the street... and places that are out of bounds for photographers have always had a special attraction for me.
To be a woman condemned to a wretched and disgraceful punishment is no impediment to beauty, but it is an insurmountable obstacle to power. Like all persons of real genius, her ladyship well knew what accorded with her nature and her means. Poverty disgusted her -subjection deprived her of two-thirds of her greatness. Her ladyship was only a queen amongst queens: the enjoyment of satisfied pride was essential to her sway. To command beings of an inferior nature, was, to her, rather a humiliation than a pleasure.
Photography is very presumptuous. Photographers are always photographing other people's lives - something they know nothing about - and drawing great inferences into it.
If there is a single factor which separates the best photographers from the wannabes it is the quantity of images which they produce. They seem to be forever shooting. I have watched many of them as they take picture after picture even when they are not photographing. [...] Often these intimate images do not look as though they were taken by the same photographer. And that is their fascination and charm.
You may command Nature to the extent only in which you are willing to obey her. You cannot intelligently obey that which you do not comprehend. Therefore I also say, ask of Nature that you may be one with her and she will whisper her secrets to you to the extent in which you are prepared to listen. Seek to be alone much to commune with Nature and be thus inspired by her mighty whisperings within your consciousness. Nature is a most jealous god, for she will not whisper her inspiring revelations to you unless you are absolutely alone with her.
I saw sensuality as sacred, indeed the only sacredness, I saw woman and her beauty as divine since her calling is the most important task of existence: the propagation of the species. I saw woman as the personification of nature, as Isis, and man as her priest, her slave; and I pictured her treating him as cruelly as Nature, who, when she no longer needs something that has served her, tosses it away, while her abuses, indeed her killing it, are its lascivious bliss.
I can see myself as a very old man in a terrific wheelchair. Only, I won't be photographing the tree outside my window, the way Steichen did. I'll be photographing other old people.
Nature! We live in her midst and know her not. She is incessantly speaking to us, but betrays not her secret. We constantly act upon her, and yet have no power over her. Variant: NATURE! We are surrounded and embraced by her: powerless to separate ourselves from her, and powerless to penetrate beyond her.
After decades of faithful study, ecologists have begun to fathom hidden likenesses among many interwoven systems. ...a canon of nature's laws, strategies, and principles...
Nature runs on sunlight.
Nature uses only the energy it needs.
Nature fits form to function.
Nature recycles everything.
Nature rewards cooperation.
Nature banks on diversity.
Nature demands local expertise.
Nature curbs excesses from within.
Nature taps the power of limits.
The footsteps of Nature are to be trac'd, not only in her ordinary course, but when she seems to be put to her shifts, to make many doublings and turnings, and to use some kind of art in endeavouring to avoid our discovery.
I began photographing in 1946. Before that, I was a painter and drawer, with my mother and father's support. They were a bit pissed when I went into photography. They thought photographers were guys who took pictures at weddings.
There are no accidents, only nature throwing her weight around. Even the bomb merely releases energy that nature has put there. Nuclear war would be just a spark in the grandeur of space. Nor can radiation alter nature: she will absorb it all. After the bomb, nature will pick up the cards we have spilled, shuffle them, and begin her game again.
Today's photographers think differently. Many can't see real light anymore. They think only in terms of strobe - sure, it all looks beautiful but it's not really seeing. If you have the eyes to see it, the nuances of light are already there on the subject's face. If your thinking is confined to strobe light sources, your palette becomes very mean - which is the reason I photograph only in available light.
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