A Quote by Ralph Waldo Emerson
Every word was once a poem.
Related Quotes
It does not need that a poem should be long. Every word was once a poem.
The difference between 'lighght' and another type of poem with more words is that it doesn't have a reading process. Even a five-word poem has a beginning, middle, and end. A one-word poem doesn't. You can see it all at once. It's instant.
For me, the power of the poetry in 'Milk and Honey' is the feeling you get after finished reading the poem. It's the emotion you feel once you've read the last word, and that is only possible when the diction is easy, and you don't get stuck on every other word, you don't know what the word means.
Every word was once a poem. Every new relation is a new word.
Imagine writing a poem with a sweating, worried-looking boy handing you a different pencil at the end of every word. My golf, you may say, is no poem; nevertheless, I keep wanting it to be one.
Have it compose a poem -- a poem about a haircut! But lofty, noble, tragic, timeless, full of love, treachery, retribution, quiet heroism in the face of certain doom! Six lines, cleverly rhymed, and every word beginning with the letter s!
I want to reiterate that my understanding of the poem is not the poem's core, true meaning. Once a poem goes out into the world, the poet is just one more reader.
In a machine, every part has a function. In a poem, every word needs to be there.
I think you can perform any poem. But what I believe is that the best examples of spoken word poetry I've ever seen, are spoken word poems that, when you see them, you're aware of the fact they need to be performed. That there's something about that poem that you would not be able to understand if you were just reading it on a piece of paper.
End rhymes are not enough. Every word-sound in a poem should find an echo in another, neighbouring word's sound to achieve what Ezra Pound called melopoeia. (This is something like what the Welsh call Cynghanned.)
Every thought was once a poem.
If, as Emerson wrote, every word was once an idea, every cliché was once a revelation.
The religion of the short poem, in every age and in every literature, has a single commandment: Less is always more. The short poem rejects preamble and summary. It's about all and everything, the metaphysics of a few words surrounded by much silence. …The short poem is a match flaring up in a dark universe.
In the beginning, we're told, was the word. Every once in a while someone shows up on the planet who is word-obsessed and word-gifted; and the light and darkness get named again. In our day, that someone is Buechner.
My dance is a sacred poem in which each movement is a word and whose every word is underlined by music. The temple in which I dance can be vague or faithfully reproduced, for I am the temple.
My first spoken word poem, packed with all the wisdom of a 14-year-old, was about the injustice of being seen as unfeminine. The poem was very indignant, and mainly exaggerated, but the only spoken word poetry that I had seen up until that point was mainly indignant, so I thought that that's what was expected of me.
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