A Quote by Ralph Waldo Emerson

All writing is by the grace of God. People do not deserve to have good writing, they are so pleased with bad. In these sentences that you show me, I can find no beauty, for I see death in every clause and every word. There is a fossil or a mummy character which pervades this book. The best sepulchers, the vastest catacombs, Thebes and Cairo, Pyramids, are sepulchers to me. I like gardens and nurseries. Give me initiative, spermatic, prophesying, man-making words.
What I'm really involved in when I'm writing is something that no one ever mentions when they see any play. Writing is like trying to make gunpowder out of chemicals. You have these words and sentences and the strange meanings and associations that are attached to the words and sentences, and you're somehow cooking these things all up so that they suddenly explode and have a powerful effect. That's what absorbs me from day to day in writing a play.
For me, a lot of Discipline was very personal writing, like writing through and working out being inside this gendered body and also the compulsions of the body, the muting of the mind as driven by the body. My father had died some years ago so he haunts the book too, just floats through it ghost-like. But, the writing of every book is different for me. They are so like living creatures, these books, so I don't know what's carried over into the writing of the next things - except maybe that I'm best when I make my writing practice a routine.
Don't be afraid to fail. I fail every day. I failed thousands of times writing The Book Thief, and that book now means everything to me. I had many doubts and fears about that book, but some of what I feel are the best ideas in it came to me when I was working away for apparently no result. Failure has been my best friend as a writer. It tests you, to see if you have what it takes to see it through.
So, you see, it's a real chore for me to write a book review because it's like a contest. It's like I'm writing that book review for every bad book reviewer I've ever known and it's a way of saying [thrusts a middle finger into the air] this is how you ought to do it. I like to rub their noses in it.
As for my writing process, there is one truth I have discovered after writing some twenty-plus books: Not every book is the same, but the middle of every book is where I really begin to question my choice of vocations. The beginning and end is usually fairly clear to me, but that middle just sucks the life right out of me.
People do not deserve to have good writing, they are so pleased with bad.
I always tell my writing students that every good piece of writing begins with both a mystery and a love story. And that every single sentence must be a poem. And that economy is the key to all good writing. And that every character has to have a secret.
I like that every page in every book can have a gem on it. It's probably what I love most about writing--that words can be used in a way that's like a child playing in a sandpit, rearranging things, swapping them around. They're the best moments in a day of writing -- when an image appears that you didn't know would be there when you started work in the morning.
In my twenties, it was so important for me to show people I had all these other books and these other sorts of writing in me, .. A lot of authors, if their first book is a success, they're terrified to write a second one. But in my case, since the first book wasn't considered a literary book, I was really determined to show people I could do other types of writing.
There's a difference between writing, the written word, and music. When you have the blank page it doesn't make a sound, which is like what happens to me every night when I'm playing. There is that crazy moment: the first mark you make on the page. But sound can inspire sound, in a way that words can't inspire words - at least for me. The nature of sound itself is still a huge mystery to me. I'm very happy about that.
Writing is praying with me. You know a child would look up at every sentence and say, 'And what shall I say next?' That is just what I do; I ask Him that at every line He would give me not merely thoughts and power, but also every word, even the very rhymes.
Therefore if mine enemy hunger, let me feed him; if he thirst, let me give him drink. Now in order to do this, (1) We must see good in that, in which other men can see none. (2) We must pass by those injuries that other men would revenge. (3) We must show we have grace, and that we are made to bear what other men are not acquainted with. (4) Many of our graces are kept alive, by those very things that are the death of other men's souls.... The devil, (they say) is good when he is pleased; but Christ and His saints, when displeased.
The prophesying business is like writing fugues; it is fatal to every one save the man of absolute genius.
The secret to writing is writing. Lots of people I know talk about writing. They will tell me about the book they are going to write, or are thinking about writing, or may write some day in the future. And I know they will never do it. If someone is serious about writing, then they will sit down every day and put some words down on paper.
Tell me, can you see beauty? Can you let it renew your commitment to life, every day? I don't want to wait for death to be near to receive the beauty in my life. I want to be awed every day by the truth-pretty or painful-and let it open me to the beauty that surrounds me and draws me deeper and deeper into my own life.
Writing, for me, when I'm writing in the first-person, is like a form of acting. So as I'm writing, the character or self I'm writing about and my whole self - when I began the book - become entwined. It's soon hard to tell them apart. The voice I'm trying to explore directs my own perceptions and thoughts.
This site uses cookies to ensure you get the best experience. More info...
Got it!