A Quote by Ralph Waldo Emerson

My life is for itself and not for a spectacle. — © Ralph Waldo Emerson
My life is for itself and not for a spectacle.
Wasn't it Emerson who said, 'My life is for itself and not for a spectacle'? I have a happy, full, good life because I hold it private.
My life is not an apology, but a life. It is for itself and not for a spectacle. I much prefer that it should be of a lower strain, so it be genuine and equal, than that it should be glittering and unsteady.
Modern capitalism, organising the reduction of all social life to a spectacle, cannot offer any spectacle other than that of our own alienation.
You can't blame movies for embracing spectacle; filmmakers since D.W. Griffith and Cecil B. De Mille have loved spectacle, and spectacle is something that movies convey like no other medium, especially in a digital age.
In certain almost supernatural states of the soul, the profundity of life reveals itself entirely in the spectacle, however ordinary it may be, before one's eyes. It becomes its symbol.
We grow tyrannical fighting tyranny. . . . The most alarming spectacle today is not the spectacle of the atomic bomb in an unfederated world, it is the spectacle of the Americans beginning to accept the device of loyalty oaths and witch hunts, beginning to call anybody they don't like a Communist.
The mind's eye can nowhere find anything more dazzling or more dark than in man; it can fix itself upon nothing which is more awful, more complex, more mysterious, or more infinite. There is one spectacle grander than the sea, that is the sky; there is one spectacle grander than the sky, that is the interior of the soul.
Cinema through spectacle, through the entertainment of spectacle, tells the story of many actual problems in life. Because who ever doesn't want to read between the lines can just enjoy the entertainment and the show and can go home happy.
Baudelaire writes: In certain almost supernatural inner states, the depth of life is entirely revealed in the spectacle, however ordinary, that we have before our eyes, and which becomes the symbol of it." Here we have a passage that designates the phenomenological direction I myself pursue. The exterior spectacle helps intimate grandeur unfold.
The Venus transit is not a spectacle the way a total solar eclipse is a spectacle.
Images detached from every aspect of life merge into a common stream, and the former unity of life is lost forever. Apprehended in a partial way, reality unfolds in a new generality as a pseudo-world apart, solely as an object of contemplation. The tendency toward the specialization of images-of-the-world finds its highest expression in the world of the autonomous image, where deceit deceives itself. The spectacle in its generality is a concrete inversion of life, and, as such the autonomous movement of non-life.
I love movies with spectacle but spectacle can be a performance, it doesn't have to be a creature.
In societies where modern conditions of productions prevail, all of life presents itself as an immense accumulation of spectacles. Everything that was directly lived has moved away into representation. The images detached from every aspect of life fuse in a common stream in which the unity of this life can no longer be re-established. Reality considered partially unfolds, in its own general unity as a pseudo-world apart, an object of mere contemplation . . . The spectacle is not a collection of images, but a social relation among people, mediated by images.
The spectacle of insensitivity that is the gun lobby and its outspoken, out-of-their-mind apparatchiks, is the apotheosis of what the Republican Party has allowed itself to become.
I don't think people come to television for spectacle. And I don't really have a lot of fun writing spectacle for television, I'll do that in features.
Enthusiasm is always an interesting spectacle. When it expresses itself with an honest and artless eloquence, it is difficult to listen to it and not, in some degree, to catch the flame.
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