A Quote by Ralph Waldo Emerson
For the most part, only the light characters travel. Who are you that have no task to keep you at home?
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I am not much an advocate for traveling, and I observe that men run away to other countries because they are not good in their own, and run back to their own because they pass for nothing in the new places. For the most part, only the light characters travel. Who are you that have no task to keep you at home?
I travel light; as light, that is, as a man can travel who will still carry his body around because of its sentimental value.
Everything I pick up seems to lure me away. Everything I do in my daily life begins to feel like striking wet matches. The need to travel is a mysterious force. A desire to 'go' runs through me equally with an intense desire to 'stay' at home. An equal and opposite thermodynamic principle. When I travel, I think of home and what it means. At home I'm dreaming of catching trains at night in the gray light of Old Europe, or pushing open shutters to see Florence awaken. The balance just slightly tips in the direction of the airport.
The seemingly insuperable difficulties of deep-space travel suggest an intention to keep us fixed at home in our own solar system, and the physical nature of our part of the Universe, as well as the basic rules of physics and chemistry, have a warning look about them, like barriers designed to isolate intelligent life. This means that for us, unlike the situation for humble microorganisms, deep-space travel is probably a stark impossibility.
Since the purpose of reading, of education, is to become good, our most important task is to choose the right books. Our personal set of stories, our canon, shapes our lives. I believe it is a law of the universe that we will not rise above our canon. Our canon is part of us, deeply, subconsciously. And the characters and teachings in our canon shape our characters--good, evil, mediocre, or great.
I shoot with a few different camera's. A Sony A6000 with several lenses and a Lumix LX100 with a beautiful Leica lens. I like to travel light so I can have it with me most of the time. I really try and document all the places we travel to.
I dread the promotion part of my job. It's agony, especially compared to the private, at-home joy of writing. But being a grown-up means doing every part of the larger task.
In the past, war was confined for the most part to men in uniform, but with increased mechanization of armies and the introduction of air forces, there is an increased dependence on the home country, and eight to ten people working at home are now required to keep one man in the fighting line.
We travel because, no matter how comfortable we are at home, there's a part of us that wants - that needs - to see new vistas, take new tours, obtain new entrees, introduce new bacteria into our intestinal tracts, learn new words for "transfusion," and have all the other travel adventures that make us want to French-kiss our doormats when we finally get home.
For the most part, my characters don't talk to me. I like to lord over them like some kind of benevolent deity. And, for the most part, my characters go along with it. I write intense character sketches and long, play-like conversations between me and them, but they stay out of the book writing itself.
Women are one of the most important segments of the adventure travel industry. Women make the vast majority of travel decisions in families - not only the destinations, but the activities. They are the predominant adventure travel planners.
As Buddhist monks, our task is to bring ourselves resolutely more and more into light, to forgive and forget, to forget those who create problems for us because to remember them is only to keep problems is mind.
All great artists know that part of their task is to light up the distance between two human beings.
You travel life has the aspect of a dream. It is something outside the normal, yet you are in it. It is peopled with characters you have never seen before and in all probability will never see again. It brings occasional homesickness, and loneliness, and pangs of longing ... But you are like the Vikings who have gone into a world of adventure, and home is not home until you return.
To my way of thinking, whether it's a superhero movie or a romance or a comedy or whatever, the most important thing is you've got to care about the characters. You've got to understand the characters and you've got to be interested. If the characters are interesting, you're half-way home.
The most difficult part of writing a book is not devising a plot which will captivate the reader. It's not developing characters the reader will have strong feelings for or against. It is not finding a setting which will take the reader to a place he or she as never been. It is not the research, whether in fiction or non-fiction. The most difficult task facing a writer is to find the voice in which to tell the story.
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