A Quote by Ralph Waldo Emerson

The near explains the far. The drop is a small ocean. A man is related to all nature. This perception of the worth of the vulgar is fruitful in discoveries. Goethe, in this very thing the most modern of the moderns, has shown us, as none ever did, the genius of the ancients.
I regret that I must so continually use the word genius, as if that should apply only to a caste as well defined from those below as income-tax payers are from the untaxed. The word genius was very probably invented by a man who had small claims on it himself; greater men would have understood better what to be a genius really was, and probably they would have come to see that the word could be applied to most people. Goethe said that perhaps only a genius is able to understand a genius.
The difference between ancients and moderns is that the ancients asked what have we experienced, and moderns asked what can we experience.
As the smallest drop of water detached from the ocean contains all the qualities of the ocean, so man, detached in consciousness from the Infinite, contains within him its likeness; and as the drop of water must, by the law of its nature, ultimately find its way back to the ocean and lose itself in its silent depths, so must man, by the unfailing law of his nature, at last return to his source, and lose himself in the great ocean of the Infinite.
If busyness can become a kind of violence, we do not have to stretch our perception very far to see that Sabbath time โ€“ effortless, nourishing rest โ€“ can invite a healing of this violence. When we consecrate a time to listen to the still, small voices, we remember the root of inner wisdom that makes work fruitful. We remember from where we are most deeply nourished, and see more clearly the shape and texture of the people and things before us.
The most striking difference between ancient and modern sophists is that the ancients were satisfied with a passing victory of argument at the expense of truth, whereas the moderns want a more lasting victory at the expense of reality.
The Man of Genius may at the same time be, indeed is commonly, an Artist, but the two are not to be confounded. The Man of Genius,referred to mankind, is an originator, an inspired or demonic man, who produces a perfect work in obedience to laws yet unexplored. The artist is he who detects and applies the law from observation of the works of Genius, whether of man or nature. The Artisan is he who merely applies the rules which others have detected. There has been no man of pure Genius, as there has been none wholly destitute of Genius.
The finest and most beautiful ideas on morals and manners have been swept away before our times, and nothing is left for us but to glean after the ancients and the ablest amongst the moderns.
The ancients tell us what is best; but we must learn of the moderns what is fittest.
Genius consists not in making great discoveries, but in seeing the connection between small discoveries.
It's the nature of the mind to drift away. The mind is like the Pacific Ocean, it waves. And mindfulness has been shown to drop underneath the waves. If you drop underneath the agitation in the mind, into your breath deep enough calmness, gentle undulations.
Modesty teaches us to speak of the ancients with respect, especially when we are not very familiar with their works. Newton, who knew them practically by heart, had the greatest respect for them, and considered them to be men of genius and superior intelligence who had carried their discoveries in every field much further than we today suspect, judging from what remains of their writings. More ancient writings have been lost than have been preserved, and perhaps our new discoveries are of less value than those that we have lost.
Some are so very studious of learning what was done by the ancients that they know not how to live with the moderns.
I watched L'eclisse [1962] with Alain Delon and Monica Vitti. Changed my world. What a glamorous and modern film. This is what a genius is - the thing of a genius. The dresses, the tiny heels, the Cardin look, the boys dressed up as Italian gigolos - it was divine, very modern. [Michelangelo] Antonioni, I loved and I realized: how modern.
What do you have to surrender? A drop has to dissolve into the ocean to become the ocean. And a drop cannot be greater than the ocean, can it? So what is the surrendering? It is the surrendering of our conditioning, of our ego and the artificial barriers we have built around us.
Geniuses are people who dash off weird, wild, incomprehensible poems with astonishing facility, & then go & get booming drunk & sleep in the gutter. Genius elevates a man to ineffable speres [sic] far above the vulgar world, & fills his soul with a regal contempt for the gross & sordid things of earth. It is probably on account of this that people who have genius do not pay their board, as a general thing.
Sex has become one of the most discussed subjects of modern times. The Victorians pretended it did not exist; the moderns pretend nothing else exists.
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