A Quote by Ralph Waldo Emerson
The god or hero of the sculptor is always represented in a transition from that which is representable to the senses, to that which is not.
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We have five senses in which we glory and which we recognize and celebrate, senses that constitute the sensible world for us. But there are other senses - secret senses, sixth senses, if you will - equally vital, but unrecognized, and unlauded ... unconscious, automatic.
What we believe, endorse, agree with, and depend on is representable and, increasingly, represented on the Web. We all have to ensure that the society we build with the Web is the sort we intend.
I suggest to you that it is because God loves us that he gives us the gift of suffering. Pain is God's megaphone to rouse a deaf world. You see, we are like blocks of stone out of which the Sculptor carves the forms of men. The blows of his chisel, which hurt us so much are what make us perfect.
All writers, in all viewpoints, must choose which information and scenes will be presented, and in which order. In that sense, the author is always represented as a point of view in a work of fiction. His hand can always be detected by the discerning.
We must doubt the certainty of everything which passes through the senses, but how much more ought we to doubt things contrary to the senses, such as the existence of God and the soul.
When men are prosperous, they are in love with life. Nature grows beautiful, the arts begin to flourish, there is work for painter and sculptor, the poet is born, the stage is erected - and this life with which men are in love is represented in a thousand forms.
But the thing that stands eternally in the way of really good writing is always one: the virtual impossibility of lifting to the imagination those things which lie under the direct scrutiny of the senses, close to the nose. It is this difficulty that sets a value upon all works of art and makes them a necessity. The senses witnessing what is immediately before them in detail see a finality which they cling to in despair, not knowing which way to turn. Thus this so-called natural or scientific array becomes fixed, the walking devil of modern life.
Beauty satisfies the senses completely and at the same time uplifts the soul. That which gratifies the senses is pleasant, and that which uplifts the soul without being sensual in the least is good, true, right, anything you like, but not beautiful.
For a long time the objects that mathematicians dealt with were mostly ill-defined; one believed one knew them, but one represented them with the senses and imagination; but one had but a rough picture and not a precise idea on which reasoning could take hold.
Remember it is the heart and not the body, which strives to draw near to God. By heart I do not mean the flesh perceived by the senses, but that secret thing which is sometimes expressed by spirit, and sometimes by soul.
The truths which are represented in England and Western countries generally, are those which refer to force of character, earnestness of purpose, conscientious strictness, noble charity, practical duty, whilst the truths which I find peculiarly developed in India - developed to a greater extent than anywhere else, - and in the Eastern countries generally, are those which have reference to sweetness of communion, sweetness of temper, meekness and resignation unto God.
Buddhism, I think, is probably facing the single most difficult transition from one historical epoch to another, which is really the transition to modernity.
The misfortunes which God is represented in the book of Job as allowing Satan to inflict on Job, merely to test his faith, are indications, if not of positive malevolence, at least of a suspicious and ruthless insecurity, which is characteristic more of a tyrant than of a wholly powerful and benevolent deity.
I've said this many times: I don't care which hero punches which hero to get the Infinity Jockstrap or whatever. I do care that people find humanity in these stories, and maybe something connects, makes the world a little better for having read it.
Everything is a hero: A lighthouse which gives light to us; weeds that provide shelter to little insects; a water drop which quenches a thirsty ant! Everything that helps us to live is a hero!
The two principles of truth, reason and senses, are not only both not genuine, but are engaged in mutual deception. The senses deceive reason through false appearances, and the senses are disturbed by passions, which produce false impressions.
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