A Quote by Ralph Waldo Emerson

Science does not know its debt to imagination. Goethe did not believe that a great naturalist could exist without this faculty. — © Ralph Waldo Emerson
Science does not know its debt to imagination. Goethe did not believe that a great naturalist could exist without this faculty.
Being a philosophical naturalist does not mean that one thinks that science can provide all of the answers. That is scientism and that is wrong. I don't think a billion buckets of science could speak to the problems raised by the Tea Party. Being a philosophical naturalist does not mean that one thinks that the only truths are those of science. I think the claim just made in the last sentence is true but I don't think it is a claim of science. It means that you use science where you can and you respect and try to emulate its standards.
Science does not know its debt to imagination.
I think imagination is at the heart of everything we do. Scientific discoveries couldn't have happened without imagination. Art, music, and literature couldn't exist without imagination. And so anything that strengthens imagination, and reading certainly does that, can help us for the rest of our lives.
There is a world of science necessary in choosing books. I have known some people in great sorrow fly to a novel, or the last light book in fashion. One might as well take a rose-draught for the plague! Light reading does not do when the heart is really heavy. I am told that Goethe, when he lost his son, took to study a science that was new to him. Ah! Goethe was a physician who knew what he was about.
Goethe died in 1832. As you know, Goethe was very active in science. In fact, he did some very good scientific work in plant morphology and mineralogy. But he was quite bitter at the way in which many scientists refused to grant him a hearing because he was a poet and therefore, they felt, he couldn't be serious.
The sun had, in the meanwhile, sunk behind the Ettersberg. We felt in the wood the chill of the evening, and drove all the quicker to Wiemar, and to Goethe's house. Goethe urged me to go in with him for a while, and I did so. He was in an extremely engaging mood. He talked a great deal about his theory of colors, and of his obstinate opponents; remarking that he was sure that he had done something in this science.
Who dispenses reputation? Who makes us respect and revere persons, works, laws, the great? Who but this faculty of imagination? All the riches of the earth are inadequate without its approval.
I bill myself as a naturalist because if you say you're a naturalist, it gives people a conversation point to talk about what you actually do believe in, instead of when you say you're an atheist, and it's really just a statement of what you don't believe in.
All time exists. That is the truth.... If the future did not exist now, how could we journey toward it? If the past does not exist still, how could we leave it behind?
I would call the attention of the reader to the difference between "reason" and "reasoning." Reason is a light, reasoning a process. Reason is a faculty, reasoning an exercise of that faculty. Reasoning proceeds from one truth to another by means of argumentation. This generally involves the whole mind in labor and complexity. But reason does not exist merely in order to engage in reasoning. The process is a means to an end. The true fulfillment of reason as a faculty is found when it can embrace the truth simply and without labor in the light of single intuition.
They say there is no light without dark, no good without evil, no male without female, no right without wrong. That nothing can exist if it's direct opposite does not also exist.
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Fancy, an animal faculty, is very different from imagination, which is intellectual. The former is passive; but the latter is active and creative. Children, the weak minded, and the timid are full of fancy. Men and women of intellect, of great intellect, are alone possessed of great imagination.
The faculty of art is to change events; the faculty of science is to foresee them. The phenomena with which we deal are controlled by art; they are predicted by science.
And what is the great thing that the stage does? It cultivates the imagination. And . . . the imagination constitutes the great difference between human beings. . . . The imagination is the mother of pity, the mother of generosity, the mother of every possible virtue. It is by the imagination that you are enabled to put yourself in the place of another.
What a designer does is he makes things possible that you didn't imagine could exist before, and it makes the world a better place. You know, it's a great thing to be doing. A fine artist does that, too, but they make the expression for themselves, not for others' use.
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