A Quote by Ralph Waldo Emerson
A good form strikes all eyes pleasantly, long before they have any science on the subject; and a beautiful face sets twenty hearts in palpitation, prior to all consideration of the mechanical proportions of the features and head.
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I've been thinking about it a great deal, and it seems to me that although any one sixpence is as good as any other sixpence, not twenty lambs would do instead of one sheep whose face you knew. Somehow, when once you've looked into anybody's eyes, right deep down into them, I mean, nobody will do for that one any more . Nobody, ever so beautiful or so good, will make up for that one going out of sight.
I submit that Zooey's face was close to being a wholly beautiful face. As such, it was of course vulnerable to the same variety of glibly undaunted and usually specious evaluations that any legitimate art object is. I think it just remains to be said that any one of a hundred everyday menaces — a car accident, a head cold, a lie before breakfast — could have disfigured or coarsened his bounteous good looks in a day or a second.
But can one not conceive of a presence, and of a presence to itself of the subject before speech or signs, a presence to itself of the subject in a silent and intuitive consciousness? Such a question therefore presupposes that, prior to the sign, and outside it, excluding any trace and any différance, something like consciousness is possible.
In speaking of the Energy of the field, however, I wish to be understood literally. All energy is the same as mechanical energy, whether it exists in the form of motion or in that of elasticity, or in any other form. The energy in electromagnetic phenomena is mechanical energy.
In the world of knowledge, the essential Form of Good is the limit of our inquiries, and can barely be perceived; but, when perceived, we cannot help concluding that it is in every case the source of all that is bright and beautiful -in the visible world giving birth to light and its master, and in the intellectual world dispensing, immediately and with full authority, truth and reason -and that whosoever would act wisely, either in private or in public, must set this Form of Good before his eyes.
Today, nothing is unusual about a scientific discovery's being followed soon after by a technical application: The discovery of electrons led to electronics; fission led to nuclear energy. But before the 1880's, science played almost no role in the advances of technology. For example, James Watt developed the first efficient steam engine long before science established the equivalence between mechanical heat and energy.
My varnashram refuses to bow the head before the greatest potentate on earth, but my varnashram compels me to bow down my head in all humility before knowledge, purity, before every person where I see God face to face.
A good deal of Paradise Lost strikes one as being almost as mechanical as bricklaying.
Television is what we call the long form of storytelling, where we tell stories over thirteen, twenty-two, or twenty-four hours. Miniseries is an eight-hour form of storytelling, and film is a two-hour form. Each and every one of them are important to me, because they're a different modality of storytelling.
I wash my face with a good cleanser and then dab some rose water on my face. I do this before I head to bed.
I lifted the white cloth from the white face of the man that I had worshipped as an idol-looked upon as a demi-god. Notwithstanding the violence of the death of the President, there was something beautiful as well as grandly solemn in the expression of the placid face. There lurked the sweetness and gentleness of childhood, and the stately grandeur of godlike intellect. I gazed long at the face, and turned away with tears in my eyes and a choking sensation in my throat. Ah! never was man so widely mourned before. The whole world bowed their heads in grief when Abraham Lincoln died.
To the eyes of a miser a guinea is more beautiful than the sun, and a bag worn with the use of money has more beautiful proportions than a vine filled with grapes.
Before, prior to. There is no difference between these two except length and a certain affectedness on the part of 'prior to.' To paraphrase Bernstein, if you would use 'posterior to' instead of 'after,' then by all means use 'prior to' instead of 'before.
I'll never forget the day when a woman came up to me and said, 'No, you could never be on a magazine cover. Your face features don't work; your eyes are small, you have a small face but a big nose.' I was only 14 and I had never noticed any of that stuff, you know?
True features make the beauty of a face, and true proportions the beauty of architecture.
Good work is no done by "humble" men. It is one of the first duties of a professor, for example, in any subject, to exaggerate a little both the importance of his subject and his own importance in it. A man who is always asking "Is what I do worth while?" and "Am I the right person to do it?" will always be ineffective himself and a discouragement to others. He must shut his eyes a little and think a little more of his subject and himself than they deserve. This is not too difficult: it is harder not to make his subject and himself ridiculous by shutting his eyes too tightly.
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