A Quote by Ralph Waldo Emerson
The domestic man, who loves no music so well as his kitchen clock, and the airs which the logs sing to him as they burn on the hearth, has solaces which others never dream of.
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Well, every man has a religion; has something in heaven or earth which he will give up everything else for - something which absorbs him - which may be regarded by others as being useless - yet it is his dream, it is his lodestar, it is his master. That, whatever it is, seized upon me, made me its servant, slave - induced me to set aside the other ambitions a trail of glory in the heavens, which I followed, followed with a full heart. ...When once I am convinced, I never let go.
Love is an active power in man; a power which breaks through the walls which separate man from his fellow men, which unite him with others; love makes him overcome the sense of isolation and separateness, yet it permits him to be himself, to retain his integrity.
There is a legend of an artist who long sought for a piece of sandalwood, out of which to carve a Madonna. He was about to give up in despair, leaving the vision of his life unrealized, when in a dream he was bidden to carve his Madonna from a block of oak wood which was destined for the fire. He obeyed and produced a masterpiece from a log of common firewood. Many of us lose great opportunities in life by waiting to find sandalwood for our carvings, when they really lie hidden in the common logs that we burn.
The most powerful drive in the ascent of man is his pleasure in his own skill. He loves to do what he does well and, having done it well, he loves to do it better. You see it in his science. You see it in the magnificence with which he carves and builds, the loving care, the gaiety, the effrontery. The monuments are supposed to commemorate kings and religions, heroes, dogmas, but in the end the man they commemorate is the builder.
The friend within the man is that part of him which belongs to you and opens to you a door which never, perhaps, is opened to another. Such a friend is true, and all he says is true; and he loves you even if he hates you in other mansions of his heart.
Excellence or virtue in a man will be the disposition which renders him a good man and also which will cause him to perform his function well.
My conception of the audience is of a public each member of which is carrying about with him what he thinks is an anxiety, or a hope, or a preoccupation which is his alone and isolates him from mankind and in this respect at least the function of a play is to reveal him to himself so that he may touch others by virtue of the revelation of his mutuality with them. If only for this reason I regard the theater as a serious business, one that makes or should make man more human, which is to say, less alone.
To be successful, a man must exert an effective influence upon his brothers and upon his associates, and the degree in which he accomplishes this depends on the personality of the man. The incandescence of which he is capable. The flame of fire that burns inside of him. The magnetism which draws the heart of other men to him.
If ever household affections and loves are graceful things, they are graceful in the poor. The ties that bind the wealthy and the proud to home may be forged on earth, but those which link the poor man to his humble hearth are of the true metal and bear the stamp of heaven.
Every man, however hopeless his pretensions may appear, has some project by which he hopes to rise to reputation; some art by which he imagines that the attention of the world will be attracted; some quality, good or bad, which discriminates him from the common herd of mortals, and by which others may be persuaded to love, or compelled to fear him.
Happy is the man who has that in his soul which acts upon the dejected as April airs upon violet roots. Gifts from the hand are silver and gold, but the heart gives that which neither silver nor gold can buy. To be full of goodness, full of cheerfulness, full of sympathy, full of helpful hope, causes a man to carry blessings of which he is himself as unconscious as a lamp is of its own shining. Such a one moves on human life as stars move on dark seas to bewildered mariners; as the sun wheels, bringing all the seasons with him from the south.
Death, which hateth and destroyeth a man, is believed; God, which hath made him and loves him, is always deferred.
God, Who is by nature good and dispassionate, loves all men equally as His handiwork. But He glorifies the virtuous man because in his will he is united to God. At the same time, in His goodness he is merciful to the sinner and by chastising him in this life brings him back to the path of virtue. Similarly, a man of good and dispassionate judgment also loves all men equally. He loves the virtuous man because of his nature and the probity of his intention; and he loves the sinner, too, because of his nature and because in his compassion he pities him for foolishly stumbling in darkness.
The person who grieves suffers his passion to grow upon him; he indulges it, he loves it; but this never happens in the case of actual pain, which no man ever willingly endured for any considerable time.
Love is very important in The First Man, in that [Albert] Camus loves these things he never chose, he loves his childhood experience in a very real way. Their poverty meant that there was nothing else they could think about but what they would eat, how they would clothe themselves. There's just no room for other things in his family. It's difficult for others to imagine the position in which he found himself. There is no imaginary existence in their lives.
This is the ultimate end of man, to find the One which is in him; which is his truth, which is his soul; the key with which he opens the gate of the spiritual life, the heavenly kingdom.
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