A Quote by Ralph Waldo Emerson

The charming landscape which I saw this morning is indubitably made up of some twenty or thirty farms. Miller owns this field, Locke that, and Manning the woodland beyond. But none of them owns the landscape. There is property in the horizon which no man has but he whose eye can integrate all parts, that is, the poet. This is the best part of these men's farms, yet to this their warranty-deeds give no title.
There is a property in the horizon which no man has, but he whose eyes can integrate all the parts,--that is, the poet.
The luckiest person in the world is somebody who is born into a small, shabby-genteel town on a major railway connection with 24,000 souls and a bird sanctuary and whose grandfather owns a farm and whose father owns a business -whose family is mildly prosperous but not rich, which means you can leave the town.
A feeble man can see the farms that are fenced and tilled, the houses that are built. The strong man sees the possible houses and farms. His eye makes estates as fast as the sun breeds clouds.
Man is a singular creature. He has a set of gifts which make him unique among the animals, so that unlike them, he is not a figure in the landscape, he is the shaper of the landscape.
Few rich men own their property; their property owns them.
You see, after all, few rich men own their property. The property owns them.
Men have dominated the field of landscape photography just as they have dominated the land itself. Thus shooting a virgin landscape has been man's work - hunting, not gardening.
My definition of media? 'Anything which owns attention.' This could be a game or, perhaps, a platform. Ironically, the media tends to associate media with publishing - digital or otherwise - which, in turn, is too narrow a way to consider not only the media but also the reality of the competitive landscape and media-focused innovation.
If Facebook owns social, if LinkedIn owns business, who owns your health?
The English landscape at its finest - such as I saw this morning - possesses a quality that the landscapes of other nations, however more superficially dramatic, inevitably fail to possess. It is, I believe, a quality that will mark out the English landscape to any objective observer as the most deeply satisfying in the world, and this quality is probably best summed up by the term 'greatness.'
I think one of the primary goals of a feminist landscape architecture would be to work toward a public landscape in which we can roam the streets at midnight, in which every square is available for Virginia Woolf to make up her novels
By avarice and selfishness, and a groveling habit, from which none of us is free, of regarding the soil as property, or the means of acquiring property chiefly, the landscape is deformed, husbandry is degraded with us, and the farmer leads the meanest of lives. He knows Nature but as a robber.
It's not going to be sitting there producing The Apprentice. I can assure you of that. It's something that [Donald Trump] owns. It's a title he owns, but I'm telling you he's going to be 100 percent focused in the White House.
Whilst the rights of all as persons are equal, in virtue of their access to reason, their rights in property are very unequal. Oneman owns his clothes, and another owns a country.
The summer ends and we wonder who we are And there you go, my friends, with your boxes in your car And today I passed the high school, the river, the maple tree I passed the farms that made it Through the last days of the century And I knew that I was going to learn again Again, in this less hazy light I saw the fields beyond the fields The fields beyond the field
I grew up in a neighborhood that was surrounded by farms. There was a horse farm behind me and dairy farms on either side.
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