A Quote by Ralph Waldo Emerson

Every word which is used to express a moral or intellectual fact, if traced to its root, is found to be borrowed from some material appearance. — © Ralph Waldo Emerson
Every word which is used to express a moral or intellectual fact, if traced to its root, is found to be borrowed from some material appearance.
Every natural fact is a symbol of some spiritual fact. Every appearance in nature corresponds to some state of the mind, and that state of the mind can only be described by presenting that natural appearance as its picture.
I have used the word "attention," which I borrow from Simone Weil, to express the idea of a just and loving gaze directed upon individual reality. I believe this to be the characteristic and proper mark of the active moral agent.
The Declaration has a moral power which is of enormous weight and influence. The statement of the rights represent a goal, or a standard, to which every man can look and with which he can compare what he in fact enjoys. The fact that no country was prepared to vote against the Declaration indicates its compelling moral force.
In fact, if you look at the root word of phonograph it just means phonetics of graphology, phono-graph, writing with sound, so graphology. You know graffiti, same root word.
The word "question" originates from the Latin root, quaestio, which means "to seek." Inside the word "question" is the word "quest," suggesting that within every question is an adventure, a pursuit which can lead us to hidden treasure.
Words of divine consciousness: moral exaltation; lasting feelings of elevation, elation, joy; a quickening of the moral sense, which strikes one as more important than an intellectual understanding of things; an alignment of the universe along moral lines, not intellectual ones; a realization that the founding principle of existence is what we call love, which works itself out sometimes not clearly, not cleanly, not immediately, nonetheless ineluctably.
What is indisputable is the fact that unbelief is the force that gives birth to all of our bad behavior and every moral failure. It is the root.
No man, who continues to add something to the material, intellectual and moral well-being of the place in which he lives, is left long without proper reward.
A student researching into my work has actually traced the newspapers and magazines where I found theses images and has found out that many of them illustrate a collection of gruesome stories, murders and suicides which contrast with the images used. There is a contrast between the message carried by the text and that suppressed by the illustration.
The objections to religion are of two sorts - intellectual and moral. The intellectual objection is that there is no reason to suppose any religion true; the moral objection is that religious precepts date from a time when men were more cruel than they are and therefore tend to perpetuate inhumanities which the moral conscience of the age would otherwise outgrow.
The difference between real material poison and intellectual poison is that most material poison is disgusting to the taste, but intellectual poison, which takes the form of cheap newspapers or bad books, can unfortunately sometimes be attractive.
Look at Jesus Christ. Every time he was in trouble he used the Word of God. When he was tempted he used the Word. When he was suffering on the cross he used the Word.
There is no society or conversation to be kept up in the world without good-nature, or something which must bear its appearance and supply its place. For this reason mankind have been forced to invent a kind of artificial humanity, which is what we express by the word Good-Breeding.
There are at bottom but two possible religions--that which rises in the moral nature of man, and which takes shape in moral commandments, and that which grows out of the observation of the material energies which operate in the external universe.
I know I am more on the sexual side in terms of my appearance, which is something that the metal world is not used to. But I am comfortable with it. It's how I express my art, and myself.
Borrowed time and borrowed world and borrowed eyes with which to sorrow it.
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