A Quote by Ralph Waldo Emerson
There are men whose manners have the same essential splendor as the simple and awful sculpture on the friezes of the Parthenon, and the remains of the earliest Greek art.
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There used to be an art form called the 'comedy of manners.' Why aren't comedies of manners made now in this country? The answer is simple. We no longer have manners to speak of.
There is some confusion as to what magic actually is. I think this can be cleared up if you just look at the very earliest descriptions of magic. Magic in its earliest form is often referred to as “the art”. I believe this is completely literal. I believe that magic is art and that art, whether it be writing, music, sculpture, or any other form is literally magic.
Prehistoric art came to move me much more than Greek art. Greek art has beautiful women and handsome men, but I don't care.
It's interesting to observe that almost all truly worthy men have simple manners, and that simple manners are almost always taken as a sign of little worth
For me, architecture is an art the same as painting is an art or sculpture is an art. Yet, architecture moves a step beyond painting and sculpture because it is more than using materials. Architecture responds to functional outputs and environmental factors. Yet, fundamentally, it is important for me to stress the art in architecture to bring harmony.
After painting comes Sculpture, a very noble art, but one that does not in the execution require the same supreme ingenuity as the art of painting, since in two most important and difficult particulars, in foreshortening and in light and shade, for which the painter has to invent a process, sculpture is helped by nature. Moreover, Sculpture does not imitate color which the painter takes pains to attune so that the shadows accompany the lights.
How can you put out a meaningful drama when every fifteen minutes proceedings are interrupted by twelve dancing rabbits with toilet paper? No dramatic art form should be dictated and controlled by men whose training and instincts are cut of an entirely different cloth. The fact remains that these gentlemen sell consumer goods, not an art form.
I was the executive editor on a little magazine called Greek Accent, whose only claim to fame is that its art director went on to be the art director of Discover for many years.
Pity the nation whose statesman is a fox, whose philosopher is a juggler, and whose art is the art of patching and mimicking. Pity the nation that welcomes its new ruler with trumpetings, and farewells him with hootings, only to welcome another ruler with trumpetings again. Pity the nation whose sages are dumb with years and whose strong men are yet in the cradle. Pity the nation divided into fragments, each fragment deeming itself a nation.
A car is useless in New York, essential everywhere else. The same with good manners.
The forge looked like a steam-powered locomotive had smashed into the Greek Parthenon and they had fused together.
Had there been no Renaissance and no Italian influence to bring in the stories of other lands English history would, it may be, have become as important to the English imagination as the Greek Myths to the Greek imagination; and many plays by many poets would have woven it into a single story whose contours, vast as those of Greek myth, would have made living men and women seem like swallows building their nests under the architrave of some Temple of the Giants.
The purest evil that human efforts could attain, in other words, was probably achieved by those men who made their wills the same and who made their eyes see the world in the same way, men who went against the pattern of life's diversity, men whose spirits shattered the natural wall of the individual body, making nothing of this barrier, set up to guard against mutual corrosion, men whose spirit accomplished what flesh could never accomplish.
[The Christmas story] is as simple as was the Man himself and His teaching. SA simple as the Sermon on the Mount which still remains as the ultimate basis ... of the belief of free men of good will everywhere.
I'd been to Stourhead and was inspired by the perfect parity between architecture and art; in fact, the architecture is the art. I wrote a piece called 'Not Sculpture Park,' because most of these things become car parks for bought-in sculpture. The artists should be working with the site, not just plonking pieces down.
Men of action," whose minds are too busy with the day's work to see beyond it. They are essential men, we cannot do without them, and yet we must not allow all our vision to be bound by the limitations of "men of action.
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