A Quote by Ralph Waldo Emerson
The less a man thinks or knows about his virtues, the better we like him.
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The tragedy of modern man is not that he knows less and less about the meaning of his own life, but that it bothers him less and less.
There are four types of men in this world: 1. The man who knows, and knows that he knows; he is wise, so consult him. 2. The man who knows, but doesn't know that he knows; help him not forget what he knows. 3. The man who knows not, and knows that he knows not; teach him. 4. Finally, there is the man who knows not but pretends that he knows; he is a fool, so avoid him.
A man’s ignorance sometimes is not only useful, but beautiful - while his knowledge, so called, is oftentimes worse than useless, besides being ugly. Which is the best man to deal with - he who knows nothing about a subject, and, what is extremely rare, knows that he knows nothing, or he who really knows something about it, but thinks that he knows all?
One can't prescribe books, even the best books, to people unless one knows a good deal about each individual person. If a man is keen on reading, I think he ought to open his mind to some older man who knows him and his life, and to take his advice in the matter, and above all, to discuss with him the first books that interest him.
Where do you draw the line between a humble man who knows his own weaknesses but tries to act out virtues he hasn't quite mastered yet, and a proud man who pretends to have those virtues without the slightest intention of acquiring them?
If idioms are more to be born than to be selected, then the things of life and human nature that a man has grown up with--(not that one man's experience is better than another's, but that it is 'his.')--may give him something better in his substance and manner than an over-long period of superimposed idiomatic education which quite likely doesn't fit his constitution. My father used to say, 'If a poet knows more about a horse than he does about heaven, he might better stick to the horse, and some day the horse may carry him into heaven'
What men and women need is encouragement. Their natural resisting powers should be strengthened, not weakened ... Instead of always harping on a man's faults, tell him of his virtues. Try to pull him out of his rut ... Hold up to him his better self, his real self that can dare and do and win out! ... People radiate what is in their minds and in their hearts.
Her heart-is given him, with all its love and truth. She would joyfully die with him, or, better than that, die for him. She knows he has failings, but she thinks they have grown up through his being like one cast away, for the want of something to trust in, and care for, and think well of.
Man... knows only when he is satisfied and when he suffers, and only his sufferings and his satisfactions instruct him concerning himself, teach him what to seek and what to avoid. For the rest, man is a confused creature; he knows not whence he comes or whither he goes, he knows little of the world, and above all, he knows little of himself.
This sutra enjoins a rule of morality. It says nobody should be disrespected. A man can impress evdrybnody by his virtues. Disrespecting others means downfall of our own virtues. A person who disrespects others, in a way disrespect himself. A virtuous man does not disrespect his friend or vevn his enemy. Disrespect to enemy can investigate him toreact. The best thing is to destroy him completely. For a ruler this is very important.
You are different from the really great man in only one thing: The great man, at one time, also was a very little man, but he developed one important ability: he learned to see where he was small in his thinking, and actions. Under the pressure of some task which was dear to him he learned better and better to sense the threat that comes from his smallness and pettiness. The great man, then, knows when and in what he is a little man.
My conception of the audience is of a public each member of which is carrying about with him what he thinks is an anxiety, or a hope, or a preoccupation which is his alone and isolates him from mankind and in this respect at least the function of a play is to reveal him to himself so that he may touch others by virtue of the revelation of his mutuality with them. If only for this reason I regard the theater as a serious business, one that makes or should make man more human, which is to say, less alone.
The art of thinking is the greatest art of all, for 'as a man thinketh in his heart, so is he.' The thinker knows he is today where his thoughts have taken him and that he is building his future by the quality of the thoughts he thinks.
A politician's words reveal less about what he thinks about his subject than what he thinks about his audience.
A man who thinks too much about his ancestors is like a potato-the best part of him is underground.
In my incoherence I was grateful that for a few moments I had known what it was to suffer-or so I thought. But nothing is less like a thing that that which is closest to it. A man who had been near to death thinks how he knows death. When the day finally comes for him to meet it, he does not recognise it. 'This is not it,' he says, as he dies.
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