A Quote by Ralph Waldo Emerson
Great men do not content us. It is their solitude, not their force, that makes them conspicuous.
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The third class consists of men to whom nothing seems great but reason. If force interests them, it is not in its exertion, but in that it has a reason and a law. For men of the first class, nature is a picture; for men of the second class, it is an opportunity; for men of the third class, it is a cosmos, so admirable, that to penetrate to its ways seems to them the only thing that makes life worth living. These are the men whom we see possessed by a passion to learn.
Was it my conspicuousness that distressed me? Not at all. It was merely that I was not beautifully conspicuous but uglily conspicuous - it makes all the difference in the world.
On Facebook, the definition of great content is not the content that makes the most sales, but the content that people most want to share with others.
The kind of loving women and men have in them and the ways it comes out from them makes for them the bottom nature in them, gives to them their kind of thinking, makes the character they have all their living in them, makes them then their kind of women and men and there are always many millions made of each kind of them.
The ballet makes us look at those bodies, it makes us listen to that music, it makes us wonder at the geometry, of the way they come together. The way that extraordinary space is controlled and given such emotional force.
The people who help us grow toward true self offer unconditional love, neither judging us to be deficient nor trying to force us to change but accepting us exactly as we are. And yet this unconditional love does not lead us to rest on our laurels. Instead, it surrounds us with a charged force field that makes us want to grow from the inside out - a force field that is safe enough to take the risks and endure the failures that growth requires.
We all enter the world little plastic beings, with so much natural force, perhaps, but for the rest--blank; and the world tells uswhat we are to be, and shapes us by the ends it sets before us. To you it says--Work; and to us it says--Seem! To you it says--As you approximate to man's highest ideal of God, as your arm is strong and your knowledge great, and the power to labour is with you, so you shall gain all that human heart desires. To us it says--Strength shall not help you, nor knowledge, nor labour. You shall gain what men gain, but by other means. And so the world makes men and women.
When the horrors of anarchy force us to set up laws that forbid us to fight and torture one another for sport, we still snatch at every excuse for declaring individuals outside the protection of law and torturing them to our hearts content.
If any one age could be singled out as the worst in the history of Christendom, it would be the administration of Pope Pius XII, the most reactionary head of the most reactionary single force in the world - a force that binds men's minds, a force that divides them, a force that chains them so that they are unable to think and act for themselves.
Too great carelessness, equally with excess in dress, multiplies the wrinkles of old age, and makes its decay still more conspicuous.
Is the Mona Lisa an 'accurate' representation of the actual human model for the painting? Who knows? Who cares? It's a great piece of art. It moves us. It makes us wonder, makes us gape - finally makes us look inward at ourselves.
The greatest trouble with most of us is that our demands upon ourselves are so feeble, the call upon the great within of us so weak and intermittent that it makes no impression upon the creative energies; it lacks the force that transmutes desires into realities.
The whole world is a theatre for the display of the divine goodness, wisdom, justice, and power, but the Church is the orchestra, as it were—the most conspicuous part of it; and the nearer the approaches are that God makes to us, the more intimate and condescending the communication of his benefits, the more attentively are we called to consider them.
What is photojournalism? Occasionally, a very unique photo, in which form is precise and rich enough and content has enough resonance, is sufficient in itself. But that's rarely the case. The elements of a subject that speak to us are often scattered and can't be captured in one photo; we don't have the right to force them together, and to stage them would be cheating...which brings us to the need for photojournalism.
And this, and many other like blessings, we enjoy daily. And for most of them, because they be so common, most men forget to pay their praises: but let not us, because it is a sacrifice so pleasing to Him that made that sun and us, and still protects us, and gives us flowers, and showers, and stomachs, and meat, and content, and leisure to go a-fishing.
The gap between ideals and actualities, between dreams and achievements, the gap that can spur strong men to increased exertions, but can break the spirit of others -- this gap is the most conspicuous, continuous land mark in American history. It is conspicuous and continuous not because Americans achieve little, but because they dream grandly. The gap is a standing reproach to Americans; but it marks them off as a special and singularly admirable community among the world's peoples.
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