For it is not metres, but a metre-making argument that makes a poem, - a thought so passionate and alive that like the spirit of a plant or an animal it has an architecture of its own, and adorns nature with a new thing.
For poetry is, I believe, always an act of the spirit. The poem teaches us something while we make it. The poem makes you as you make the poem, and your making of the poem requires all your capacities of thought, feeling, analysis, and synthesis.
I usually sprint for 20 to 30 metres - occasionally 50 to 60 metres maximum. But no footballer ever sprints a complete 100 metres during a game.
Because the speech is an argument, and a great speech makes an argument well, the act of making that argument is a really important part of how the policy process coalesces and solidifies both for the candidate and also the people serving that candidate.
What makes a poem is the discipline inherent in making a poem: trying to fit feelings in the requisite number of syllables and lines, disciplining one's feelings.
Yet America is a poem in our eyes; its ample geography dazzles the imagination, and it will not wait long for metres.
America is a poem in our eyes; its ample geography dazzles the imagination, and it will not wait long for metres.
The single biggest change in middle-distance running, from the 1500 metres to 10,000 metres, has been the track surface.
The poet must work with brush and paper,but this is not what makes the poem. A man does not go in search of a poem - the poem comes in search of him.
Global warming has already triggered a sea level rise that could reach from 6 metres (19.69 ft) to 25 metres (27.34 yards).
A Concordance of Leaves is an epic poem of the indomitable yet fragile human spirit. Philip Metres brings Palestine and Palestinians into English with rare luminosity. One feels echoes of Oppen's succinct tenderness in the depiction of the numerous characters of this work. Without other, there is no self. And that other is the stranger who must be loved. Concordance is, after all, a wedding poem-leaves and pages in search of a certain passage toward harmony.
Although everyone fights, few people know how to have a good argument, an argument that clears the air and makes it less likely a future argument will take place on the same subject.
To do a poem justice, explain what makes it unique; to get a poem noticed, explain what makes it typical.
Professor Focke and his technicians standing below grew ever smaller as I continued to rise straight up, 50 metres, 75 metres, 100 metres. Then I gently began to throttle back and the speed of ascent dwindled till I was hovering motionless in midair. This was intoxicating! I thought of the lark, so light and small of wing, hovering over the summer fields. Now man had wrested from him his lovely secret.
Clearly Bolt would beat me over 100 metres on the track. But on grass, over 30 metres with a ball at my feet? I'm winning that race every time!
The monotony of a long heroic poem may often be pleasantly relieved by judicious interruptions in the perfect succession of rhymes, just as the metre may sometimes be adorned with occasional triplets and Alexandrines.