A Quote by Ralph Waldo Emerson

The poet, the painter, the sculptor, the musican, the architect, seek each to concentrate this radiance of the world on one point, and each in his several work to satisfy the love of beauty which stimulates him to produce.
No person who is not a great sculptor or painter can be an architect. If he is not a sculptor or painter, he can only be a builder.
Man tries to make for himself in the fashion that suits him best a simplified and intelligible picture of the world; he then tries to some extent to substitute this cosmos of his for the world of experience, and thus to overcome it. This is what the painter, the poet, the speculative philosopher, and the natural scientists do, each in his own fashion. Each makes this cosmos and its construction the pivot of his emotional life, in order to find in this way peace and security which he can not find in the narrow whirlpool of personal experience.
Michelangelo's contemporaries thought him the greatest artist who ever lived and called him 'divine.' His reputation as sculptor, architect, painter and draughtsman has not subsequently been surpassed, and who is to say his contemporaries were wrong?
Even the wisest man grows tense With some sort of violence Before he can accomplish fate, Know his work or choose his mate. Poet and sculptor, do the work, Nor let the modish painter shirk
When men are prosperous, they are in love with life. Nature grows beautiful, the arts begin to flourish, there is work for painter and sculptor, the poet is born, the stage is erected - and this life with which men are in love is represented in a thousand forms.
Every other species of talent carries with it its eternity; we enjoy the work of the poet, the painter, the sculptor, only as thousands will do after us; but the actor - his memory is with his generation, and that passes away.
Poet and sculptor, do the work, / Nor let the modish painter shirk
As she watched him she understood the quality of his beauty. How his labor had shaped him. How the wood he fashioned had fashioned him. Each plank he planed, each nail he drove, each thing he made molded him. Had left its stamp on him. Had given him his strength, his supple grace.
O thou sculptor, painter, poet! Take this lesson to thy heart: That is best which lieth nearest; Shape from that thy work of art.
The architect is very interesting because the architect is the commander, meaning the one who commands all the workers. The architect is also the music director and composer. He cannot play each instrument, but he needs to understand and embody the sense of each part.
The poet or the revolutionary is there to articulate the necessity, but until the people themselves apprehend it, nothing can happen ... Perhaps it can't be done without the poet, but it certainly can't be done without the people. The poet and the people get on generally very badly, and yet they need each other. The poet knows it sooner than the people do. The people usually know it after the poet is dead; but that's all right. The point is to get your work done, and your work is to change the world.
This is what the painter, the poet, the speculative philosopher, and the natural scientists do, each in his own fashion.
With a painter or a sculptor, one cannot begin to alter his works, but an architect has to put up with anything, because he makes utility objects - the building is there to be used, and times change.
Although the poet has as wide a choice of subjects as the painter, his creations fail to afford as much satisfaction to mankind as do paintings... if the poet serves the understanding by way of the ear, the painter does so by the eye, which is the nobler sense.
People seek within a short span of life to satisfy a thousand desires, each of which is insatiable.
If it is the love of that which your work represents--if, being a landscape painter, it is love of hills and trees that moves you--if, being a figure painter, it is love of human beauty, and human soul that moves you--if, being a flower or animal painter, it is love, and wonder, and delight in petal and in limb that move you, then the Spirit is upon you, and the earth is yours, and the fullness thereof.
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