A Quote by Ralph Waldo Emerson
In sculpture did ever anybody call the Apollo a fancy piece? Or say of the Laocoon how it might be made different? A masterpiece of art has in the mind a fixed place in the chain of being, as much as a plant or a crystal.
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I really think there's no difference between an art piece made by a man and one made by a woman. Is it a good art piece or a bad art piece? Of course, if you're female, you're maybe dealing with different issues.
I really have to think of myself as a painter first because sculpture came much, much later. As a student at the Art Institute in Chicago, I simply never became involved in sculpture. I did prints, and I did paintings.
For me, music is my art and what I have dedicated my life to. For fashion designers, clothing is art. Just as much as a piece of music that I might write is a piece of art. Being able to merge the two industries on stage or at an event is really fun.
The thing with sculpture is, 90% of the time, when I pass a piece of sculpture, it's in public or somewhere, and it's just, how inconvenient that that's there. It takes up so much room, and it's so oppressive.
What's against legalization in a practical sense? A couple of college kids figured out how to take a hemp plant and turn it into newspaper and it was actually a better quality of paper. It was cheaper and if you plant hemp in a field it revitalizes the soil. You can grow food in a dirt lot if you do enough harvest of hemp. I don't pretend to know the specifics of the economics of it to say how much we'll be getting, but there is money to be made there that is not being made because it's illegal.
I'm happy that the evolution of art in the past 25 years, and the place of art in global culture-and even finance-has gotten to be so important. One thing I'm really proud of is the fact that now anybody can do anything. The work can be small or large, painting or sculpture, whatever it might be-it's all viable, and it can come from any part of the world. So the idea of democracy has really taken hold.
Such as the chain of causes we call Fate, such is the chain of wishes: one links on to another; the whole man is bound in the chain of wishing for ever.
This art of conservation is strength, and makes the masterpiece a masterpiece. Otherwise, the man who simply brought all the different colors obtainable, and squeezed them out upon the canvas to give it 'full force,' would be the greatest master, instead of being merely extravagant.
I'd been to Stourhead and was inspired by the perfect parity between architecture and art; in fact, the architecture is the art. I wrote a piece called 'Not Sculpture Park,' because most of these things become car parks for bought-in sculpture. The artists should be working with the site, not just plonking pieces down.
Men marry for fortune, and sometimes to please their fancy; but, much oftener than is suspected, they consider what the world will say of it--how such a woman in their friends' eyes will look at the head of a table. Hence we see so many insipid beauties made wives of, that could not have struck the particular fancy of any man that had any fancy at all.
Sculpture is an art of the open air... I would rather have a piece of my sculpture put in a landscape, almost any landscape, than in, or on, the most beautiful building I know.
It is after all so easy to shatter a story. To break a chain of thought. To ruin a fragment of a dream being carried around carefully like a piece of porcelain. To let it be, to travel with it, as Velutha did, is much the harder thing to do.
Roarke "I'll drop you." Eve "No, better I catch a cab or take the underground. This guy sees me show up in a hot car with a fancy piece behind the wheel, he's not going to like me." Roarke "You know how I love being referred. to as your fancy piece." Eve "Sometimes you're my love muffin.
I think that a lot of artists have succeeded in making what I might call "curator's art." Everybody's being accepted, and I always want to say, "Really? That's what you've come for? To make art that looks a lot like somebody else's art?" If I am thinking of somebody else's art in front of your art, that's a problem.
I might find that I have a habit of being jealous and comparing myself with other people and riveting my attention on how much somebody else is accomplishing or doing, or how much better they are at such and such. First, I might recognize the story - the mental images and internal dialogue - and say, "Okay, comparing mind." Then, rather than staying caught in the content, I'll bring my attention into my body and open to the immediate feelings that are there.
Art is nothing tangible. We cannot call a painting 'art' as the words 'artifact' and 'artificial' imply. The thing made is a work of art made by art, but not itself art. The art remains in the artist and is the knowledge by which things are made.
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