A Quote by Ralphie May

Some nights you walk off stage and go 'That was a good crowd.' — © Ralphie May
Some nights you walk off stage and go 'That was a good crowd.'
You have to give the crowd energy to feed off of and they will give it back. If you go on stage acting sluggish and nonchalant, that's how the crowd will be. But if you let them know you appreciate them and do call and response, you'll get a good reception.
The crowd is a performer. En masse, a crowd has its own personality, its own character. And there are going to be nights when the crowd delivers a great performance. And there are going to be nights when the crowd bombs.
The talking shows allow me to come out of my cave and that's why those shows go on for so long. I hate walking off stage. Sometimes I walk off and I miss them as I'm walking off the stage. I wonder if they'll let me go another hour. That's why I do it: to communicate, to get points across.
Every crowd is different. But that's something that I enjoy, and you can feel it in the first few seconds when you walk out on stage. You know, how a crowd is.
Some nights I'm funny with the between-song commentary, some nights I'm not. I have no control over this. I pace the stage a lot and struggle with the mic stand in a ridiculous way.
Some go to church to take a walk; some go there to laugh and talk. Some go there to meet a friend; some go there their time to spend. Some go there to meet a lover; some go there a fault to cover. Some go there for speculation; some go there for observation. Some go there to doze and nod; the wise go there to worship God.
In the early days of the Libertines, we used to put on Arcadian cabaret nights. There'd be some girl climbing out of an egg; we'd try and get a couple of mates to tell a few jokes, performance poets, and then we'd play in the middle of it all. More people were on stage than in the crowd.
Now, I want to explain something to you guys. I don't have an ending joke, because I don't tell jokes. I tell real-life stories and make them funny. So, I'm not like the average comedian. They have an ending joke; they always holler Peace! I'm out of here, and walk off stage. So, basically, when I get through performing on stage, I just walk off.
I never know what I'm going to say as I walk up to the microphone. I try to be in the moment. I try to go deeper into myself. I discover things on stage that I don't discover off stage about me.
I think certainly after every show I headline, I will be available to the fans. When I'm headlining a show, I don't walk off stage. I'll walk to the front of the stage and sign hats and shirts and tickets for 15 to 30 minutes, until everyone has everything signed.
In this business, if you're a success, there's some folks who actually worship you. I have been to some places where it's impossible to walk across the stage without having the major portion of my outfit torn off for souvenirs.
When you`re onstage you have a certain faith that somebody's gonna yell somethin' back. Some nights it's louder than other nights and some nights they do, and on some songs they don't. But that's the idea. I think when you begin to expect a reaction from an audience, it's a mistake.
When I walk on stage, it's a release valve for me. Life is stressful anyway, so therefore, when I walk on stage, it releases all those stressful situations, and I feel good about myself.
You can either go down the stage like everybody else, or you can go through the crowd like Roman Reigns. I'd take going through the crowd, the WWE Universe, every day of the week.
When you're on-stage, you're expected to perform in the bar business. You shake hands. You smile. You're all positive energy: you add to your environment. When you walk in the door to the back of the house, that's like a stage door. You're off-stage now.
The most fun moments are being on the stage and seeing how the crowd reacts to your music. The energy of the crowd that makes you just want to go in and keep doing it and be a part of this forever.
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