A Quote by Ram Charan

I used to rarely go on film sets, as I felt it was very boring to see the same shot being done so many times. I felt I had nothing to do. I used to irritate the cameramen. — © Ram Charan
I used to rarely go on film sets, as I felt it was very boring to see the same shot being done so many times. I felt I had nothing to do. I used to irritate the cameramen.
Before every game I used to go out and shot the same shots over and over and over. In the summer time I spent a lot of time just shooting. So really it just came natural. Whether it's a tie game or down by 1 or up by five, it was always the same shot. So I always felt comfortable with the ball in my hands because it was in there a million times before.
I've given just as much of my life to that, and I practiced it with the same zeal, as I have acting. And I think that many of my skill sets from being a housewife I used for producing. Because you don't stop until it's done.
My grandma used to have a backyard and we put a hoop, a shaky hoop, up there. We used to just shoot at it. We shot at it so many times, we broke it. We had to get a better one, because that one wasn't good at all.
By the time I got to 'St Vincent,' I had shot so many scenarios I was ready for anything - I've shot kangaroos, I've shot dogs, cats, crowds, fight scenes, stunts, comedy, drama, handheld, dolly, helicopter, crane - I just felt that there was nothing I was unprepared for.
I'm happy that I have my family, and I'm happy that I had Virginia, where I grew up, to retreat to any time I felt overwhelmed. Whenever there were times when I felt like the rug was being pulled out from under me and I was floating in this crazy space, I would stop and go back to that neighborhood and realize nothing's changed, really.
We used to take two years to complete a film, and sometimes, we used to be told on the sets that the scenes are still being written. Everything today is pre-planned.
Once a film is shot, the thing that mostly happens is that I go see all the things I would have fixed in my performance and sometimes, very rarely, I see a moment that surprise me and I go, "Oh, that's not bad. That was nice."
I was shooting all this time. And there was only one guy who helped to pull him. And I had to think whether I was going to keep shooting or help the guy. And so I kept shooting and then they put him in this little clinic, and I photographed through the window while they had to amputate his leg. And I felt very strange because I didn't - I felt I could have helped, but I didn't help. But then I also felt elated that I was getting a shot that would be important to the film.
I felt like a piece of trash. I felt dirty and I felt used and I was disappointed.
It used to be if you wanted to be a comedian, you used to just do sets. You'd go up three times a night, just get better, and then some people would see you and you'd do 'The Tonight Show,' and then boom, you're a comedian.
Winning in women's singles felt surreal. I felt that everything I had done - the hard work, the tough times - was all worth it.
When we were growing up, Christmas used to be very different and Santa Claus used to come to us with so many gifts and we'd have a whole bunch of gifts waiting at our bedside. I still remember the thrill that we felt when we would open the wrapped gifts.
It used to irritate a friend of mine that when he went to confession he never got the chance to tell the priest the good things he had done.
There were times when I was broke, when I was down in Florida and I had to go to cocktail parties for 500 bucks - to see the guy that used to be in pictures. I'm not ashamed of that. I've never done anything that I was ashamed of. I've done a lot of things I didn't mean to do.
Even before 'Moon,' I did a short film called 'Whistle,' and it had a lot of the things that I thought I would need to be able to do on a feature film: I shot on location, there was special FX work, there was stunt work, we used squibs, I shot on 35 mm film.
I started watching so many different types of women, saw all the complexities of them, all the ways and the look and shapes they could be, and I felt it was missing for me in American film. I didn't see anybody I was watching in movies that felt like me. I felt rather tortured and lonely about it.
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