A Quote by Ram Charan

In the south, whether it is a small film or a big film, everybody sees it. So, there is always something for everybody to come, see, and enjoy. — © Ram Charan
In the south, whether it is a small film or a big film, everybody sees it. So, there is always something for everybody to come, see, and enjoy.
I was thinking I would love to make something that is a successful film that everybody sees, but I wasn't thinking about the actual dollar amount. I just wanted to make a great film that people responded to. That's always a good ambition because you'll never totally hit it.
I can look at something that others (might not) and I can see the value in it. I can make that film a film that everybody wants to see.
To find money to make a film, you have to write maybe 50 pages to explain what you'd like to do, what the film will be, but everybody lies. Because he doesn't know what the film will be. Everybody writes 50 pages and sends it to a TV channel, a producer, to get money, but everybody lies. Or else your film is not interesting.
Everybody could use the money, but you don't play for it - you play with your heart - and that's a big difference you see in Barcelona. Everybody wants to play there; everybody wants to enjoy themselves. It's maybe a small percentage, but maybe it's the difference.
I would like to do more film scoring, period. Whether it is a big film, a small film, or just anything. I feel like I have a lot to learn, and what better way to do it than on the job?
You tend to be more attentive when you shoot on film because, you know, it costs more, and everybody needs to be focused when you're filming something. Everybody considers it something valuable and precious, so everybody's focused.
I do everything I watch, whether it's like a big comic book film that I've done or something very serious and raw.I do have that initial feeling like I'm the worst, this is awful, my work is - I've let everybody down. I definitely have that.
I don't want to make a habit of just playing small roles, because I really enjoy the process of being part of a film and staying on it for the length of time that everybody else is as well.
I left film because I felt that photography was my art. It was something I could do on my own, whereas film was so collaborative. I thought as a photographer I could make something that was artistic and that was mine, and I liked that. And it wasn't until I got back into film and I have very small crews and I could do very tiny filmmaking that wasn't 100 people that I still felt that I was making something artistic as a filmmaker. So, you know, I'm an artist, and whether it's photography or film, I want my voice to be there and I think my voice is very strong in this film.
At the end of the day, regardless of whether you're doing a huge budget film or a small budget film, you still want the film to do well, and have people see it. That's the whole point. You want to put some kind of message into your films, and you want people to see it.
What I love about film is that everybody often connects to something so different, and things you couldn't anticipate when you were making the film, so you just make it as honest as possible.
Everything starts with what's on the page, what a writer has come up with. And whether it is a big studio film or independent film, is the story being well told? Is it interesting? Is the character interesting? And is there something about the character that may stretch me?
I really wanted to make something that was exciting for everybody, that everybody could enjoy, that was upbeat and positive and that everybody can dance to.
There is something that might be called cinematic beauty. It can only be expressed in a film, and it must be present for that film to be a moving work. When it is very well expressed, one experiences a particularly deep emotion while watching that film. I believe that it is this quality that draws people to come and see a film, and that it is the hope of attaining this quality that inspires the filmmaker to make his film in the first place.
Everybody is a film critic today, just like everybody who has a DSLR or a mobile phone is a photographer today. But, a saturation point will come some day.
I'd never read 'Prince Caspian'. I watched it and loved that film. Everybody was talking about its lack of success; its relative success in comparison to the other film. It's a great film. It deserved to do a lot better than it did. It's very difficult to make a film that will match up to the first.
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