The feel of space... Some folks have asked what it is like to work out in space. Yes, you can work upside down, right side up, sideways - anyway you want to to make it convenient.
When I was out of work when I first moved to L.A., one of the first things my husband and I did was buy season's passes to Disney, and whenever I was bummed out about work, we would go to Space Mountain, and it was like a physical injection of anti-depressants.
When I was out of work when I first moved to L.A., one of the first things my husband and I did was buy season's passes to Disney and whenever I was bummed out about work, we would go to Space Mountain, and it was like a physical injection of anti-depressants.
For me space rock is something that takes you out of yourself and out of your normal realm. And if space happens to be that inner space or outer space it's a very personal thing. I think that mantra is space music. I think that Native American tribal drumming is space music. Anything that allows you to go inward to go outward and to move within a space that is not normal to your reality.
If it works out, it's the best thing in the world. If it doesn't work out, it's like having your heart torn out and chopped up into little pieces while you watch. It leaves a big hollow space that never really heals.
I asked someone once why he liked Jean-Michel's work and why it was being singled out for acclaim, and he said, 'Because it looks like art.' But then again, art doesn't always look like art at first. The way the space shuttle that lifts off doesn't much resemble the space shuttle as it lands.
My work at MIT had focused on what we could build in space once we had inexpensive space transportation and industrial facilities in orbit. And this led to various sorts of work in space development.
I'm not from a theatrical background where people do like to work it out on some stage space.
reaking up the space and using the space, using the length of the space, the height of it, whatever, the light, all of those things. It's something that you have to kind of slowly recognize in your work and develop over years of making work.
The great thing about space films generally, with the exception of Apollo 13, is that big stars tend not to work in space and I think that's because space is an equaliser. It makes everyone the same really and suits an ensemble cast and actors who are prepared to work with each other.
I'd like to get shot into space. I'd like to potentially visit the moon. I don't know if I can do that in the next couple years, but I spent some time at the jet propulsion lab, looking out at the future of when a guy like me can do a little space travel.
There's always a pattern in order to make a thing, but the starting point must be something I've never seen before. It's not two-dimensional, but it's like a sample. I work with patterns like a sculptor. I try to get [the team] not to work on a body, [but] to work on a free space, on a table. The work is basically on flat surfaces.
My mantra is, I want to work with people that I like to hang out with, who are smart, where I can add value, that I think is an interesting space.
My work space is so visually crammed. It's like an insane candy store. The number of textiles I'm surrounded with is mind boggling. It's a treat to come home to a nice negative space.
Being a sci-fi geek, it was just lovely to be on a show where I pretend I'm in outer space. That's always been my dream: to pretend to be out in space or actually be out in space.
I can say for myself that I feel like I've gotten a ton of opportunities in the digital space and not a lot in the traditional space when I was first starting out.