A Quote by Ram Charan

'Dhruva' is not a first person narrative of Siddharth Abhimanyu. — © Ram Charan
'Dhruva' is not a first person narrative of Siddharth Abhimanyu.
The way that I see third person is it's actually first person. Writing for me is all voice work. Third person narrative is just as character-driven as first person narrative for me in terms of a voice. I don't write very much in third person.
Autobiography is awfully seductive; it's wonderful. Once I got into it, I realized I was following a tradition established by Frederick Douglass - the slave narrative - speaking in the first-person singular, talking about the first-person plural, always saying 'I,' meaning 'we.'
A lot of artists I like end up being queer. Or maybe it's a subconscious thing that you can identify of, like, 'Oh this person understands the nuances of the romantic narrative of a queer person, or the social narrative of a queer person.' And then you discover, lo and behold that they are a queer person.
Historically speaking, the books I usually connect with the most are written in first-person narrative.
First person narrative is a very effective tool but you have to know as a writer how to make it work.
Jung Chang was the first person to tell a grand historical, political story through a personal narrative.
It is hard to create a first-person narrator that can be a child and yet is able to take in enough information for the narrative to be legible to the reader.
I've written short stories in first person, but you have so much more control writing in third person. Third person, you know what everybody's thinking. First person is very limiting, and I could never sustain a first person novel before.
Abhimanyu Singh is a great guy to work with. He's very hard working.
There's some ambient music that doesn't do anything. I wouldn't say that that's narrative. It is narrative in that it creates a sort of world where nothing happens, where really nothing happens, so you become a different person after hearing eight minutes of exactly the same thing. Yes, I hear music all the time in which one idea is strung together to another idea, and I feel that such music is non-narrative.
When it comes to the form the narrative will take, whether first person, third person, or Aunt Grace's cat, I usually find that the story tells me which voice it prefers, and that often changes as I go along. And in the end it really doesn't matter as long as the author can rig those voices all in harness to pull the same load.
Had 'Dhruva' not succeeded, I don't mind calling these films experimental.
'Dhruva' will have them glued to their seats throughout, and I'm sure of that.
A first-person voice helps to ensure the uniformity and cohesiveness of the narrative; it gathers unto itself incidents and characters in its unstoppable progress toward the story's end.
The quality I appreciated most about Grafton was her loyalty. She stuck with 'Kinsey Millhone' and the alphabet series conceit for her entire career but did not allow herself to stagnate as a writer. Kinsey's first-person narrative gradually made room for other, third-person perspectives.
What I'm really proud of Beyonce and Solange, they understand the importance of creating the narrative. It's all about the narrative and how you position yourself with your narrative.
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