A Quote by Ramana Maharshi
Eating, bathing, going to the toilet, talking, thinking, and many other activities related to the body are all work. How is it that the performance of one particular act is alone (considered) work? To be still is to be always engaged in work. To be silent is to be always talking.
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Harry Reid was talking about soup lines, and Hillary Clinton was talking about the economy being on the verge of collapse. Yet, in the same breath, they say that Social Security is rock solid, and there's no crisis there. How are you going to work-you said you're going to reach out to these people-how are you going to work with people who seem to have divorced themselves from reality?
As an actor, you always feel like you're not going to work again. You're always unsure about how things are going to work out, and you start thinking you're going to just fade off into the distance.
The thing about theater that always and still kind of makes me edgy is that you work and work and work and work, and then you're just in performance mode, and then you have to just be on; the work is done, and then you just have to do it over and over again, so you're just constantly at that performance level.
Performance wasnt something that I intended to do. I was doing work that was about process, about the meaning of the making, trying to have a love-hate relationship with the object. I always feel safer if I can bring the viewer back to the making of it. I try to do that in a lot of different ways, by residue, by touch, by these processes that are basic to all of our lives...that people might relate to in terms of process, everyday activities- bathing, eating, etc.
The best preparation for work is not thinking about work, talking about work, or studying for work: it is work.
I always think about visual comedy. I was raised watching silents, and I'm always thinking about how to make cinema, not good talking - although I want good talking. I'm much more interested in framing, composition, and orchestration of bodies in space, and so forth. My goal is always what Chuck Jones wanted his Warner Brothers cartoons to be, which was if you turn down the sound, you could still tell what's going on.
I work hard and I will always work hard. But I feel very lucky with the way that it has all come together. I still have my hands and I can still write songs. I still have my body and I can still dance. I owe God so much because things are going so well.
A lot of my work is process-oriented. I delve into my work and sit alone in silence and work with the material and process it, like talking to yourself.
I'm happy that people have loved my film and my work. I have always let my work do the talking, and I guess I have proved to my critics that I'm not over.
I’d promised myself that I’d really work on talking more, talking about uncomfortable things, because I could see from Brian how well things could work out if you did.
I don't think so much about verbal comedy. I always think about visual comedy. I was raised watching silents, and I'm always thinking about how to make cinema, not good talking - although I want good talking. I'm much more interested in framing, composition, and orchestration of bodies in space, and so forth. My goal is always what Chuck Jones wanted his Warner Brothers cartoons to be, which was if you turn down the sound, you could still tell what's going on. I think if you watch most of my films with the sound off, you could still tell what's going on.
I'm all in favour of talking to other parties, always have been, always will be. I'm a pluralist, talk to them, see what we've got in common, work together, fine.
I think if you come from where I came from and where I have always been, I've always been reaching out and whether it's talking with our neighbors or going shopping or standing, talking to people in these bookstores and hearing what's on their minds, or even the work I did for eight years as a senator to bring new jobs to New York and stand up for the people I represented.
I do always try and do work that I'm going to be interested in talking about when it's released.
Now, there are so many movies, so many festivals, and so many awards going on, each judged with each other, like your work is worse than others and that's not fair. How can you tell what's best and what's worst from these awards? We're talking about art.
Let's see... Rihanna! Work, work, work, work, work, work; OK, what? How much work does it take to move your behind, honey? I don't understand the job situation you're going through.
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