A Quote by Rami Malek
On films, you have the liberty of working out the details, the psychology, taking maybe more risks and takes than you can in television just because you can't be figuring things out on the day.
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When you're younger, it's hard because you're finding your identity, and then for 12 hours out of the day, you have to be a different person. So that's a tricky phase - as far as figuring who you are out and then figuring out the people that you're working with.
I would tell myself, "Love yourself and don't be afraid to take risks." I was often afraid to take risks, socially, because I was young and a little more shy and still figuring out who I wanted to be. Sometimes I look back and think, "I should have just been bolder and more confident."
When I first started making films 30 years ago, people would comment that I was a woman. But strangely, when I was in television, no one ever mentioned that I was a woman. Maybe it was because television and film were different. There were more women working in television than men. There was no split in terms of work - everyone was considered equal
As a viewer, I'm personally less interested in the damaged, white, middle-class male figuring out his dreams and more interested in maybe an underdog figuring out how they're going to survive in a world that doesn't necessarily invite them in.
I find it relatively easy to keep my clothes on because I don't really feel like taking them off. It's not an urge I have. For me, 'risky' is revealing what really happened in my life through music. Risky is writing confessional songs and telling the true story about a person with enough details so everyone knows who that person is. That's putting myself out there, maybe even more than taking my shirt off.
Don't duh me!" Puck snapped. "Trying to figure out what you're thinking from one day to the next takes more brains than I have." Well, maybe you should stop. I'd hate to burn out that little peanut in your head.
There are some risks we choose to take because the benefits from taking them exceed the possible costs. Optimal behavior takes risks that are worthwhile. This is the central paradigm of finance: we must take risks to achieve rewards, but not all risks are equally rewarded.
Nothing's about taking risks as much as doing stuff that other people haven't done before. Just like in racing, it's not about taking risks but trying to figure out how to be faster.
It's just like any job. We're either in the arena or working out during certain hours of the day, but you have other hours for things that you want to do during the day as a human being, and for me, maybe I don't go shopping. Maybe I go into my backyard and throw against a net.
The kind of approach that inspires me is taking what you've built and figuring out how to turn it into a new experience by expanding it smartly. The challenge is figuring out what's the best way to do that without totally jumping off of a cliff.
I do prefer doing more takes. There's something very organic that comes from the first take, but certain things come out. More details come out, in the way another actor says something. It's always this investigative process. You come further and further to the truth, the more you escalate. I like to do a lot of takes. I have a hunger for it. I like to see what there is to discover in a scene, that hasn't been thought of.
The trouble is that when you read criticisms about the other films that I've made you get the impression that they're all about themes, or problems, or ideas. But those are actually things that develop out of characters, out of images and out of other things. These more abstract things develop while working on the material, and out of it. It's not a theoretical exercise from the outset.
I know I'm more on television, and I'm more recognisable than maybe even the players because they run and train, but I just stand there, and my face does all these funny things that everyone can see all the time.
Working on films where the money's more important than the creativity, I just get a bit freaked out by that. I just don't feel comfortable.
This is a competitive business - there are a lot of women who want these jobs, but experience, education, and smarts go a long way. I'm still figuring it out - I learn new things every day. Once you stop learning, you should get out of the business. It's just really about being hungry for more.
Since I come from a television background, that has been my school of thought from the beginning, but what TV does to you is it drains you out because you are just working every day.
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