A Quote by Ramin Djawadi
Really, I get inspired by just switching projects and instrumentation and things like that - that creative part of just being different every time is really what inspires me.
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I'm very much inspired by things that anger me. If I see bigotry, stupidity, or injustice on the news, I'm inspired to find a way to make it into something comedic and relatable. Anger inspires me. Stupidity inspires me. My family inspires me. My accountant inspires me. Everything and anything, really.
It's one thing having a great song, but I think for me if you take it to the next level... say you had a guitar and a vocal, and the song was amazing but the vocalist wasn't that great and it just was a guitar and vocal acoustic track, switching that to something like an amazing voice singing the exact same song with the instrumentation being really nice and lush or unique in some way and interesting and diverse... I think it's all about the instrumentation and textures in the sound.
I love contrast in music. Being inspired by classical, actually - in high school especially - classical and metal both, I remember having this cool realization that they are really similar. It's just different instrumentation.
I'm always open to anything. I haven't been that selective, I've just been fortunate to get projects I'm excited about. It's a little bizarre being a part of things that you really, really enjoy.
To me, every episode is like a song, and every season is like an album. There's that part of the day when you first get the idea and you say, "This could be really funny." And you sit down and you write it. There's just something that happens there that doesn't happen when you really give it a lot of time beforehand.
I have a gut reaction to stuff that I read. Either it's a filmmaker that I really want to work with, or it's a story that I really want to be a part of and help serve, or there's a character that I feel I can bring something unique to. That's really what it's about. I would go crazy, if I just relied on the same tricks and did the same thing, all the time. It was just be no fun, at all. I really do need to try something different, every time out, and do something that scares me, a little bit.
I really like the director [for Weeds]. I don't know if you've spoken to him yet but he's really, really intelligent. He was just really kind when I met him and nice and really told me why I should play the part...and kind of really didn't argue with him. He's just really, really smart and assembled these really great people. I felt like he really knows how to enlist his intelligence to get you - I don't know - he's really hard to argue with I find.
The main joy I have in owning or being a part of my own label is the platform I've created to really push other artists and this other kind of musical muscle I get to exercise, it's not just me as a creator of music but me as a curator. That's been really exciting and I do get to have the autonomy and control and all those things with my releases, but now I get to go and find artists that I really love and like and share them with the world too.
Taylor [Swift] always inspires me, not just with music -- she just inspires me as a person. She's really, really sweet and just reflects beauty inside and out. If I'm going through anything Taylor can pull me out of it in five seconds.
As a director, you want to be really connected to every part of your set, from your actors all the way to your camera operators. Everybody is a part of the creative process, and if they feel like they're part of a team versus just being a tool, they're going to give you something special.
I still audition a lot - it depends on the medium. For film, I audition just like everyone else, because it's a different set of casting directors. For television and theatre - well, for theater, there's some auditioning that has to happen, just for them to know that you can sing it, and how you'd take on the part. But for TV, things are getting a little better with, "Would you like to be a part of this?" But that's really for one - night things. It sounds like a pompous answer, if I say people are calling me to ask me to do things.
I really can't say what inspires me the most, because I'm inspired by just about everything. My feelings and relationships, my family, Scooby-Doo. Opinion of my work. Everything. Not just one thing.
I think that we’re a culture that runs away from death, for good reason. Nobody really wants to think about the fact that we’re going to be lifeless food for worms in a coffin someday. But at the same time, I feel like knowing that you’re going to die can be an incredibly rewarding, powerful knowledge. It inspires us to live in ways that we wouldn’t if we were ignorant. I feel like that has inspired me to care about every breath. For me it’s not a morbid curiosity, it’s just wanting to make sure that every moment I have here on the Earth while I am breathing is accounted for.
When it comes to fashion, I'm just inspired by anyone who has their own flair or piece on anything. I love originality. I love when people bring some bold and don't do what's been done or being done. I don't think I have anyone in particular. Just anyone who's original really inspires me.
You just realize that you can't turn a lefthand corner in a right posture without exposing some part of your body, and so it was really me just noticing the exposure I had, and it made me start doing and practicing the switching.
I've just always loved really good projects. The things that draw me into a new project have very little to do with genre and have more to do with the characters I'll be playing, the people I'll get to work with and things like that.
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