A Quote by Ramin Djawadi

Performing was always something that I actually used to do before I settled in the studio as a composer. — © Ramin Djawadi
Performing was always something that I actually used to do before I settled in the studio as a composer.
I am a passionate, committed composer, and the guy I used to write musicals with, once he was able to ditch me and get a better composer, actually won the Tony.
I always wanted to be a composer, and I sort of went in to NYU as pre-med because I just thought, 'Well... who actually becomes a composer?'
I couldn't see a future of doing anything other than performing. I didn't like school if I'm being honest. I would have settled for performing in any capacity.
You cannot enter a studio and just start crooning before the mike. It is essential to understand the mind of the composer, mood of the song, and meter of the tune.
I have a lot of experience in the studio, performing onstage, talking to an audience. I learned most of that stuff when I was performing with my mom.
I love performing, it's my favourite thing to do. I think the music comes across even stronger live. I started performing first, before I started writing or being in the studio. I just love the energy that we can share together, for just one hour or however long it is. We all come together from all walks of life. I know it sounds cheesy.
The studio is my main compositional tool. And I used to be horrible in the studio. I didn't know any kind of technical stuff. But when you have something in your head, you've gotta figure out a way of executing it.
I am most passionate about dancing and acting, so performing was my focus, always. Even before I was old enough to be serious about it, I was always meddling with things - dancing all over the place and performing for my family.
I usually write my music on a piano, and I really enjoy performing that way, because that actually shows how the music was in my mind before it actually became an electronic song.
I used to carry a notebook to the studio. I don't do that no more 'cause I don't have the time to write anywhere but right there in the studio on the spot. So when you hear my stuff, know that I wrote it in the studio.
Although he loved performing live, and was great at it - Jeff was as solid on stage, as he was in the studio - performing for two hours at a stretch really took a physical toll. It was very hard on him.
Performing is really close to being in studio but performing takes over because being in the studio is two things; the first thing is that it is really beautiful to improvise and jam, but afterwards it becomes hard because it's very rare that a song will come together quickly. Most of the time it's back and forth and trial and error. You start questioning whether the song is good or not. So that can be quite tough.
I studied acting for 10 years before I went for an audition. I studied with Lee Strasberg and Actors Studio teachers, and went to the High School of Performing Arts.
I don't agree with superstitious routines, but there are a couple of things I'll always do before performing. I'll get together with the band and chill out, and then, just before I go on stage, I'll always check my flies.
Notes are part of life for any composer for hire. There's no way around it. I think anyone who has done even a small number of films as a professional composer gets used to that idea pretty quickly.
When I was in 'Billy,' I always knew that I wanted to do something in performing. I always knew that I wanted to have a future in the performing arts. I had no idea that it was going to be acting in movies.
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