A Quote by Ramin Djawadi

One of the most fun parts about my job is that when the music gets recorded live at the end of the project and real musicians play it, I still get goosebumps every single time.
Most musicians I know don't just play music on Saturday night. They play music every day. They are always fiddling around, letting the notes lead them from one place to another. Taking still photographs is like that. It is a generative process. It pulls you along.
I'm really passionate about the song Sky Spills Over. It was fun creating it in the studio and I've been overwhelmed at the response it gets when we perform it live every night. My son Ryan is a really talented filmmaker so I always enjoy working with him on a project. But what made this project even more special was that 3 of my own grandkids were in the video. This video was a lot of fun to make. I hope people enjoy it!
That folk music led to learning to play, and making things up led to what turns out to be the most lucrative part of the music business - writing, because you get paid every time that song gets played.
In New Orleans, people are still influenced by one another. You got these bands that play every week on Frenchmen Street, and on their breaks, they might go see the reggae band that's right next door. You might get the musicians from the reggae band to sit in with the brass musicians. Everyone is having fun.
Every single year since they invented sound recording it gets better and better. We've always improved it. With MP3, which just sounds awful, it's the first time in the history of recorded music that it sounds worse. It's really - and it's everywhere, it's ubiquitous.
There are fun parts of running a startup and not so fun parts, and Facebook handles the not so fun parts, like infrastructure, spam, sales. The real questions are, how big can 'Instagram' get? Is it 400 million, or bigger? Can it be a viable business if it is that big? These are at the top of the list for everyone in Silicon Valley.
Bourbon Street is like playing, a tourist, you know? It's just a tourist attraction ... those musicians on Bourbon Street, they play all day. They might start at 12 noon and end at 3 in the morning, like, it's like sets, like a job. You go play, take a break, play again, take a break, then later on that night, the club gets busier, then you play some more. There's pride. They're a group of great musicians- and they're holding it down.
Marriage should be about fun,” she says gently. “It’s about friendship, and laughter, and trust, and fun. If it’s not fun, if you take it all too seriously, what’s the point? You know I’ve been with Andy for fifteen years, and the reason it still works is because he’s my best friend and he still makes me laugh. Admittedly, not all the time, and often we get completely bogged down in work, and the kids, and life, but he’s still the person I most want to phone when anything happens in life, and he’s still the person who makes me laugh the most.
Every time you go in to make a record with the same group of musicians, the communication gets better and better. You've got that joint experience, and you learn with every single one that you have on top of that.
I would play music every day from the time I was about 4 or 5 years old. Every time I would go from one end of the house to the other, I would pass the piano and play a few notes.
My last name is Taylor. So in school, every time we got a project, I'm at the end. So I get to see the whole class do their project. Then, when it comes time to do mine, of course I'd pass, and the teacher wouldn't have too many questions.
At some point, you have to disconnect, if the obsession with playing a real person gets in the way of the movie at large. At the same time, we're all interested, as actors in trying to get as close to the real thing as we can, and whatever you can do in order to create that transformation feels fun and, for me, the furthest I can get away from myself is fun. It's all part of the costume, the accent, and all that stuff. It's about trying to get close without it being a detriment to the point of view of the story that you're trying to tell.
'The chef on duty will constantly point out the time, name the next project, and finish with 'push!' The entire team then calls it back. It is a simple one, but it gives me goosebumps every time.
I could sing and play as well. I've got some brothers; one of them is the drummer in the band. They're good musicians. I play for fun. They play properly. Music in general, I grew up in a house of musicians. Everybody's life has a soundtrack, I'm sitting here talking to you but there are horns beeping outside. I know I'm in New York. That's an element in the film as well. How strong that sense can be.
I view it as a real competition. We're in a business where, you know what, there's no babies here. You go out, win the job and take it. I've been told by management, for the most part, that we're going to play the best people. Obviously, you've got to consider stuff like contracts - that's a reality of the game. But still, when it gets down to it, we're going to try and pick the guy that deserves to win the job.
I think we're at a moment in history where all the rules are out the window; it's not about "Here's a single, and then let it build for a couple of months and then put out an album." Doing a common project Supa Dups we're having fun thinking about how we can improvise and make it fun for people to be fans of the music.
This site uses cookies to ensure you get the best experience. More info...
Got it!