A Quote by Ramin Djawadi

Absolutely, I'm living my dream. Yeah. My wife always jokes, says I'm a big kid, you know, playing in the studio and coming up with melodies and sounds. And, you know, I wouldn't know any other way because I just have music in my head all the time, and I just love it.
One of my pleasantest memories as a kid growing up in New Orleans was how a bunch of us kids, playing, would suddenly hear sounds. It was like a phenomenon, like the Aurora Borealis -- maybe. The sounds of men playing would be so clear, but we wouldn't be sure where they were coming from. So we'd start trotting, start running-- 'It's this way! It's this way!' -- And sometimes, after running for a while, you'd find you'd be nowhere near that music. But that music could come on you any time like that. The city was full of the sounds of music.
Right, yeah, you know, my favorite thing just globally about music is just hopefully I'm able to be, you know, blessing the people in any way that I can.
I always have melodies flowing in my head - whether I'm just at home, at the mall, at a restaurant or wherever. I'm always humming along to the random melodies that form in my head. My friends always ask me, 'What are you singing?' and I'll be like, 'I don't know!'
You know," I said, holding my ground. "I gotta tell you. The goatee thing? Yeah, way over. And you know a little jewelry really does go a long way. Just something you might want to consider. I'm actually glad you stopped by, because I have a couple things I've been meaning to say to you. Number one, about your wife? Yeah, she's a skank. And number two, you know that whole thing where you killed Jesse and then buried his remains out back there? Yeah, way un-cool.
I was surrounded by talented people. I always remember Mrs. Carmel Snow, saying to me, "You know, Polly, if one person thinks they're a big star, then we're all stars. You just go out there and always do your best. And always have time to see any designer - no matter how big or how small, have time to see them. You don't have to just see the big shots. You never know what's coming around the corner and the talent that is going to be important. That is your job."
With my boyfriend, we can make sexist jokes to each other because we know it's absolutely not true. If I get home from a long day and he says: 'Go on, get in the kitchen,' it's funny because we know it's not our lives.
Electronic music was just discovery about sound, all our sound options. The core percussions and melodies, they forget about it, they didn't think about those those for a good four, five years, because they were just discovering the new tools and what they could do with them, you know? The big folk revival, I think is a backlash against that. And now, I think they'll probably try to find somewhere in the middle. It's interesting. It's like push-and-pull. It's always like that, you know? Music history is always like that, this repeating evolution of music.
I can't say that I'm always writing in my head but I do spend a lot of time in my head writing or coming up with ideas. And what I do usually is write the music and melody and then, you know, maybe the basic idea. But when I feel that I don't have a song or just say, God, please give me another song. And I just am quiet and it happens.
My studio's always in my house. I want to wake up and be like, 'You know I'm gonna make music today in my underwear. You know what, I'm gonna be in my pajamas. You know what, I'm actually just gonna stay inside for the next three days so I can make music.'
Music to me, still to this day, is this wide open landscape of potential sounds (and I have more words for it now as a grown person), but as a little kid I used to think, "oh, you can just make up melodies and sometimes when you make certain melodies it makes you feel a certain way."
I know how sad it is when you won't be able to realize your dream. But do you know what's great about dreams? You can always have a different dream. Just like the way you dream every night in your sleep, you can just dream another dream. You're not throwing your dream away, but having a different dream.
It's just about pushing yourself to realms that are uncharted. I love to get to that place where I don't know what kind of music I'm doing, I don't know if it's any good, I don't know if it's anything. It's a big question mark. The idea is to have interesting results. That's my bottom line. Not just a creative fantasy world or something like that, but a mood too.
I just do little jokes all the time and people think I'm serious. I know exactly who Gordon Ramsay is, I know exactly who Gordon Brown is... I just say jokes but they think I'm serious which I think is funny and I think I kind of play up the image sometimes because - whatever - it's just entertainment.
It's super trippy coming to America because we know everything about it - from music and film. I know what a Southern accent sounds like; I know what a New York accent sounds like.
Even the shows or movies that we know are not going to change the world, I love this. I love 'em. I'm a movie fan. I'm a nerd of any kind. I love a big studio comedy as much as I love the teeniest tiniest of indie. I'm not a snob in that way. I really do like a big, big studio comedy.
I know I have within myself... a side of solitude. I think people who know me can see, but people who just meet me can't because I'm generally very fun and gregarious. I love to spend a lot of time on my own. I can seriously go into my own head and often love to let myself travel where I don't know where I'm going. I always felt that that was his kind of form of escape, in a way.
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