A Quote by Ramin Djawadi

The piano is not really in the language of the 'Game of Thrones' score. — © Ramin Djawadi
The piano is not really in the language of the 'Game of Thrones' score.
There's this weird game called 'Blueberry Garden.' For that game an artist recorded some piano music, but evidently he only had a really terrible microphone on top of the piano, and I really liked it and wanted to experiment with that. So, I made piano recording and really mangled it, and kept experimenting with the technique.
It's not like I love dragons! Only on 'Game of Thrones!' Our dragons are amazing, and they look really real. But I think after 'Game of Thrones,' I won't be a fantasy fan.
There's no way the writing staff of 'Game of Thrones' haven't read 'The Art of War.' There's definitely an influence on 'Game of Thrones' from this book in both a general way and on the character of Lord Baelish and his strategies.
What's amazing about 'Game of Thrones' is that it's set in a fantasy world; it's a fantasy story. So I always say that with the score, we're open to do whatever we want.
There's a lot of 'Game of Thrones' stuff used in a lot of pastiches. I don't know if I've seen a Lego 'Game of Thrones' yet, but there must be one. And there's an animated thing that's been going on for quite some time, and Littlefinger is a newsreader in it, and it's great.
I mean, if I could score 40 every game, then I would score 40 every game. But I think I cannot score 40 every game, so I'm gonna pass a little bit, too.
The most exciting thing about joining 'Game Of Thrones' is joining 'Game Of Thrones.'
I had worked in TV prior to working on 'Game of Thrones' - 'Game of Thrones' is far more cinematic than any other television show that I had done before, and so I feel that the worlds of TV and film are most definitely merging as one.
If, like me, you've never watched 'Game of Thrones', the podcast 'Binge Mode: 'Game of Thrones'' ought to be unlistenable. It isn't, thanks to the energy of the two expert presenters Mallory Rubin and Jason Concepcion, who have the wit to laugh at their own deep-dive devotion and are helped out by some smart editing.
The thing I expect from myself, when I play, is to score, in every game. If I don't, then it happens. But when you start a game, if you are a striker, you need to score.
I don't pick tournaments to score or rivals or other teams to score against. I'm a striker: every game I play, I want to score.
I really like 'Game of Thrones.
I don't really watch a load of 'Game Of Thrones.'
Nobody's ever really dead on 'Game of Thrones.'
Defense, in the game, is something that I just really enjoy. Some people enjoy assisting the ball. Some people like to score, score, score, but to me the first thing that comes up is defense.
There is a huge fan base, they're very knowledgeable and very loyal. I was astonished - before I started working on the series I didn't know anything about Game of Thrones. I hadn't heard of the books. When it started going out, people were coming up to me in the street saying [fake cockney accent] "oh, Game of Thrones, f------ wonderful.
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