A Quote by Ramin Djawadi

What's so cool about 'Light of the Seven' - and what I love about 'Game of Thrones' - is you never know what's going to happen. — © Ramin Djawadi
What's so cool about 'Light of the Seven' - and what I love about 'Game of Thrones' - is you never know what's going to happen.
I'm definitely excited about roles where I get to wear cool costumes. I love Game of Thrones, and would love to do something like that. I'm totally a dork.
There is a huge fan base, they're very knowledgeable and very loyal. I was astonished - before I started working on the series I didn't know anything about Game of Thrones. I hadn't heard of the books. When it started going out, people were coming up to me in the street saying [fake cockney accent] "oh, Game of Thrones, f------ wonderful.
Because if you remember - and people forget this - the first two years of Game of Thrones everybody was going, "I don't know what's going on, but I really like it." And you really didn't know what to make of a lot of people, and now it's changed and people aren't really talking about that. Now it's like you're watching West Wing or Friends, you know the characters and you're like, "What in the world is going to happen?"
'Game of Thrones' isn't all about magic - it's way more about political scheming and family tensions - but to be a part of this exclusive magic club is actually really cool.
There's a lot of 'Game of Thrones' stuff used in a lot of pastiches. I don't know if I've seen a Lego 'Game of Thrones' yet, but there must be one. And there's an animated thing that's been going on for quite some time, and Littlefinger is a newsreader in it, and it's great.
I think six seasons are telling us one thing about 'Game of Thrones': Everyone should watch their back. No one is safe. That's what I love about the show. I love that it's so unpredictable.
Who doesn't love Game of Thrones? Sons of Anarchy is funny and thug-ish. I love Shameless. I just sit with my hat tipped, waiting for something to happen, more than going out after the shows.
But I have a problem with the term 'light'. I never in my life knew what to do with that. I know that people have mentioned on some occasions that 'Richter is all about light', and that 'the paintings have a special light', and I never knew what they were talking about. I was never interested in light. Light is there and you turn it on or you turn it off, with sun or without sun. I don't know what the 'problematic of light' is. I take it as a metaphor for a different quality, which is similarly difficult to describe. Good.
People are paralyzed on a football field. People die. You just never know when it's going to be your last moment. I was the kind of guy who would never talk to my wife on game day. Now I'm the guy who's like, 'I love you.' I want my children to know I love them because I don't know what's going to happen out there.
A lot of people don't know enough about me. When I meet people who freak out about Game of Thrones, they don't even know that I can speak English.
What I love about jazz is the improvisation, the fact that you never know what's going to happen next.
The most exciting thing about joining 'Game Of Thrones' is joining 'Game Of Thrones.'
All I know is that I'm a warrior in 'Game of Thrones,' where all men must die, so it might happen at one point. But I feel like they're going to take the story where they think they need to go, so I'll wait, and I'll gladly do whatever they write.
If you know anything about Islamic civilization, or about the contemporary Middle East, about the sociology and the anthropology of the people who live there, and their recent history, and their religion, and their motivation and everything, then you realize that changing Iraq into a democracy is not going to happen. It's just not going to happen.
It's not like I love dragons! Only on 'Game of Thrones!' Our dragons are amazing, and they look really real. But I think after 'Game of Thrones,' I won't be a fantasy fan.
I'll tell you what I love about directing: the surprise. You never know what's going to happen with your piece until an audience weighs in.
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